Fernando Contigiani García

1972年、ウルグアイ空軍機がアンデス山脈の奥深く、人里離れた山地に墜落。過酷なサバイバルに直面した生存者たちは、互いを鼓舞し合い、極限の試練を生き延びた。

Following a bust-up with her girlfriend, Emilia returns from the city to her mother's village, somewhere in Patagonia. Her mother isn't overjoyed about Emilia's return, as this disrupts her peaceful existence. Emilia tries to decide how she wants to carry on with her life, but is confronted with people and feelings from her past. Bored and frustrated, or just looking for intimacy, she seduces a number of men, including her childhood sweetheart, but also falls in love with a girl at the school where she teaches gym – an obsession that distracts her from her broken heart and musings about the future. In his first feature, director César Sodero contrasts Emilia's inner restlessness with the immutability of Patagonia. He does this using images of impressive landscapes, natural dialogue and telling non-verbal communication. Surrounded by the peace and beauty of nature, inner chaos gradually gives way to acceptance and self-awareness.

Edgar and David find a sculpture at an archeological excavation. Obsessed with the find, Edgar embarks on a journey and disappears without a trace. Years later, María, his daughter, decides to go and look for him in the jungle.

Mariano, 16, inexplicably and without warning, shoots himself twice and improbably survives. Then, life goes on. His brother pursues a romance with a girl working at a fast-food joint, his mother takes off on a trip with a stranger, and Mariano recruits a woman to join his medieval wind ensemble.

The accident leads a group of young boys from the high roofs of their neighborhood, passing through its destruction, to the deepest of the earth.