Alexandre Ermel

参加作品

45 do Segundo Tempo
Director of Photography
In order to recreate a picture taken in 1974, during the inauguration of São Paulo subway, Pedro meets two school friends he had not seen for 40 years. If their existential crises, ageing and (astray) ways were not enough, Pedro announces, to everyone's surprise, he intends to take his own life — even though not before he sees his soccer team win a championship.
Vou Nadar Até Você
Cinematography
Ophelia is a 20-year-old girl who lives with her mother and grew up without a father. She suspects that he is Tedesco, a German artist who has just returned to Brazil. Determined to find him, she sends a letter notifying him of her arrival and that she will swim to him from the Santos bridge. Upon learning of the imminent arrival, Tedesco asks Smutter, his great friend, to start following her closely.
Jonah
Cinematography
During Carnival in São Paulo, a young man and young woman who knew each other as children meet again after many years and the social barriers that have kept them apart. Bad decisions lead the boy to hide with the girl inside a whale float.
De Onde Eu Te Vejo
Director of Photography
After 20 years of marriage, Ana Lúcia and her husband Fábio decide to get a divorce. Fábio, however, decides to move to an apartment across the street, in front of the window of his former apartment - where Lúcia still lives. Both will have to learn how to deal with job crisis, problems with their daughter and this whole new situation.
We're So Young
Director of Photography
The life of Renato Russo, from his first involvement with music, to his years in the punk rock band Aborto Alétrico, to the formation of Legião Urbana, in the Brasília rock scene of 1970s and 1980s.
Screen
Director of Photography
In a movie theater, a man wakes up and looks at the screen. "What's that?", he asks his girlfriend. "A movie", she replies. Is it?