Charlie Archer

A 1970s cigarette advert that doesn't want to end. Surreal and cinematic, Fford's film traps its characters in a world of endless excess, rampant luxury and collective greed.

IMFのエージェント“イーサン・ハント”と彼のチームは、盗まれた３つのプルトニウムの回収を目前にしていた。だが、突如現れた何者かの策略で仲間の命が危険にさらされ、その最中にプルトニウムを奪われてしまう。イーサンとIMFチームは、プルトニウムを再び奪い返し、複数の都市の“同時核爆発を未然に防ぐ新たなミッション”を受ける。この事件の裏側には、シンジケートの生き残り勢力が結成したアポストル（神の使徒）が関連しており、手がかりは“ジョン・ラーク”という正体不明の男の名前と彼が接触する“ホワイト・ウィドウ”と呼ばれる謎めいた女の存在のみだった。

This is the story of Dame Barbara Windsor, the Cockney kid with a dazzling smile and talent to match. Preparing to perform in the theatre one cold evening in 1993, the cheeky, chirpy blonde Babs recounts the people and events that have shaped her life and career over fifty years from 1943 to 1993. She contemplates her lonely childhood and WWII evacuation, her decision to go from Barbara Ann Deeks to Barbara Windsor - inspired by the Coronation of Queen Elizabeth II, her complicated relationship with her father, her doomed marriage to Ronnie Knight, capturing the attention of Joan Littlewood and becoming the blonde bombshell in the Carry On films. Babs, ever the consummate professional, never lets her fans down whatever her personal anguish and steps on the stage to rapturous applause.