Fernando Guariniello

When a fashion employee thinks she will have to end her promising career after getting pregnant, her boss offers to adopt the child.

The vicissitudes of a musician fresh from prison that seeks to resume playing music with his band, the Chevrolés, whose members are scattered around the city, earning a living wage through various activities.

When Diego rescues Armando from a gang one night it appears that their destinies are intertwined. But is it fate, or are there more sinister forces at work?

A journalist sets out to uncover the truth about the death of his colleague who was researching an American artist, Richard Upton Pickman. When he discovers the artist is in Santiago he goes to pay him a visit.

The elderly heir of a formerly wealthy and respected Chilean family, Andres, suffers from decadence and solitude. He hires young Estela in order to look after his tiranic and almost crazy grandmother. The differences in class and age don't stop Andres from courting Estela, whose fiancé Mario tries to make some money with the passions of his well-off rival. The suffocating atmosphere of the run-down mansion in the outskirts of Santiago represents the deterioration of the bourgeoisie, and sets the scene for the total collapse of Andres.

A female television journalist has a strange affair with a terrorist.

An aged former sailor, ill and confined in his bed, maintains his firm grip on his house and his son, who is having an affair with the widowed next door, through many mirrors displayed in his room and all around the house.

The history of the Teatro Abierto, which was initiated on July 28, 1981 as a cultural reaction against the last Argentine civic-military dictatorship, and organized by a group of artists and workers from the theater world

Gerónima was a real "Mapuche" Indian woman that lived in Argentinian Patagonia. She lived with her four sons in a poor little house in the dry lands her family had owned for generations. In 1976, during the military dictatorial government that disappeared 30.000 people, she and her four sons were visited by social workers. Worried about Geronima's poor conditions of existence, including health, they took the whole family to the hospital "to help them", with unexpected tragic consequences. The film that reconstruct Geronima's story is based in a interview realized by a physician while she was at the hospital. The main actress, Luisa Calcumil is also a real "Mapuche" woman, as well as Aimé Painé, the singer that interprets the authentic "Mapuche" songs the film includes.