Yevgeniya Makhankova

参加作品

Twenty Days Without War
Editor
War correspondent Lopatin takes a 20-day-leave from his hard work at the front in 1942. He travels to faraway Tashkent to meet the family of the killed soldier and visit the film set of the screen adaptation of his war-time stories. Lopatin also manages to walk the streets of Tashkent, take part in a factory workers' meeting and have a short-lived love affair. Although with no bombings and fighting, the city dwellers breathe the atmosphere of the ongoing war.
King Lear
Editor
King Lear, old and tired, divides his kingdom among his daughters, giving great importance to their protestations of love for him. When Cordelia, youngest and most honest, refuses to idly flatter the old man in return for favor, he banishes her and turns for support to his remaining daughters. But Goneril and Regan have no love for him and instead plot to take all his power from him. In a parallel, Lear's loyal courtier Gloucester favors his illegitimate son Edmund after being told lies about his faithful son Edgar. Madness and tragedy befall both ill-starred fathers.
Hamlet
Editor
Shakespeare's 17th century masterpiece about the "Melancholy Dane" was given one of its best screen treatments by Soviet director Grigori Kozintsev. Kozintsev's Elsinore was a real castle in Estonia, utilized metaphorically as the "stone prison" of the mind wherein Hamlet must confine himself in order to avenge his father's death. Hamlet himself is portrayed (by Innokenti Smoktunovsky) as the sole sensitive intellectual in a world made up of debauchers and revellers. Several of Kozintsev directorial choices seem deliberately calculated to inflame the purists: Hamlet's delivers his "To be or not to be" soliloquy with his back to the camera, allowing the audience to fill in its own interpretations.
Don Quixote
Editor
Senor Quexana has read so many books on chivalry that he believes that he is the knight Don Quixote de la Mancha. So Don Quixote sets off on his horse, accompanied by his squire Sancho Panza on a mule, to perform valiant deeds. They mistakenly save the Lady Altisidora who is so amused that she invites them to visit the Duke to provide some merriment at court. Among other deeds, Don Quixote frees some prisoners, who then turn upon him, and Don Quixote attacks a windmill that he imagines is a monstrous wizard.
Two Captains
Editor
Based on the novel of the same name by Veniamin Kaverin. From childhood, Sanya Grigoryev was able to achieve success in any business. He grew up a courageous and brave man. The dream of finding the remnants of Captain Tatarinov’s expedition led him to the ranks of polar explorers. The life of Captain Grigoryev is full of heroic events: he flew over the Arctic, fought against the Nazis. He was in danger, had to endure temporary defeats, but the hero’s persistent and purposeful character helps him to keep his vow made to himself in childhood: “Fight and seek, find and not give up.”
The Cutlass
Editor
The teenager Misha Polyakov, being with his mother in a Ukrainian village on vacation with his grandmother and about to return home to Petrograd, offers his best friend Genka to go with him. Suddenly, a white gang of Nikitsky bursts into the village and attacks Misha’s house, where Commissioner Polevoy lives. The purpose of Nikitskiy (aka Nikolskiy) is a dagger located at Polevoy. Saving the commissioner, Misha learns from him the history and secret of the weapon, and receives it for storage with a request to solve the secret. Having returned with adventures to Petrograd, Misha Polyakov with friends begins to unravel the riddle of the dagger, in the handle of which is encrypted text.
Pirogov
Editor
A biopic based on the life of Russian scientist and doctor Nikolai Ivanovich Pirogov (1810-1881), famous for being the founder of field surgery.