Fabio Ferrante

Has been an year since Pietro Zinni's gang got caught in the Sopox production laboratory and each of them locked up in different jails. From Regina Coeli jail, Pietro keep warning the authorities a fool syntetized nerve gas and he is ready to make a killing, but no one takes him seriously.

人間社会から孤立した女性のみの一族のプリンセスとして生まれたワンダーウーマンは、自分が育ってきた世界以外の環境を知らず、さらに男性を見たこともなかった。ある日、彼女は浜辺に不時着したパイロットと遭遇。彼を救出したことをきっかけに、ワンダーウーマンは身分を隠して人間社会で生活していくことにする。

Pietro Zinni is asked by the police to revive the old gang to create a task force that will stop the spread of smart drugs.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.