Erik Enocksson

Hnutove, Donbass, eastern Ukraine, 2015. Young Oleg lives in a war zone where anti-aircraft gunshots and missile attacks often resonate dangerously near. Although many inhabitants have already left this dangerous area, he remains with his grandmother, who has cared for him since his mother's death, because they have nowhere to go. They are just waiting for the war to end.

Aaron, a young misfit living in a remote Scottish fishing community, is the lone survivor of a strange fishing accident that claimed the lives of five men including his older brother. Spurred on by sea-going folklore and local superstition, the village blames Aaron for this tragedy, making him an outcast amongst his own people. Steadfastly refusing to believe that his brother has died, he sets out to recover him and the rest of men.

A descent into hell, Jesper Ganslandt's disturbing and suspenseful second feature begins with a man waking up in unfamiliar surroundings, only to find the life he knew the day before is gone.

An eleven-year-old boy observes his neighborhood as its surface orderliness rots away.

Dawn in the Swedish woods. A small group of people work in an otherwise quiet forest. A piano is placed in the moss and sinks down. An organ and amplifier is placed just next to it. The choir finds its position in between the pine trees.

The last summer the five boys are together in Falkenberg. They are now grown up to be young men, on their way out into the world. At least most of them.