Selma Doborac

Selma Doborac

プロフィール写真

Selma Doborac

参加作品

De Facto
De Facto
Executive Producer
How can cinema engage with complicity in crimes against humanity, extreme violence and state terror without conniving in it? De Facto finds answers to this question via two actors, a precisely compiled collage of texts and a deliberately reduced setting.
De Facto
De Facto
Producer
How can cinema engage with complicity in crimes against humanity, extreme violence and state terror without conniving in it? De Facto finds answers to this question via two actors, a precisely compiled collage of texts and a deliberately reduced setting.
De Facto
De Facto
Costume Design
How can cinema engage with complicity in crimes against humanity, extreme violence and state terror without conniving in it? De Facto finds answers to this question via two actors, a precisely compiled collage of texts and a deliberately reduced setting.
De Facto
De Facto
Production Design
How can cinema engage with complicity in crimes against humanity, extreme violence and state terror without conniving in it? De Facto finds answers to this question via two actors, a precisely compiled collage of texts and a deliberately reduced setting.
De Facto
De Facto
Editor
How can cinema engage with complicity in crimes against humanity, extreme violence and state terror without conniving in it? De Facto finds answers to this question via two actors, a precisely compiled collage of texts and a deliberately reduced setting.
De Facto
De Facto
Writer
How can cinema engage with complicity in crimes against humanity, extreme violence and state terror without conniving in it? De Facto finds answers to this question via two actors, a precisely compiled collage of texts and a deliberately reduced setting.
De Facto
De Facto
Director
How can cinema engage with complicity in crimes against humanity, extreme violence and state terror without conniving in it? De Facto finds answers to this question via two actors, a precisely compiled collage of texts and a deliberately reduced setting.
Those Shocking Shaking Days
Those Shocking Shaking Days
Writer
Experimental filmmaker Selma Doborac presents a radical and uncompromising essay on the impossibility of depicting the atrocities of war through insightful subtitles and meditative footage of abandoned structures that belong to the present as well as to the past.
Those Shocking Shaking Days
Those Shocking Shaking Days
Director
Experimental filmmaker Selma Doborac presents a radical and uncompromising essay on the impossibility of depicting the atrocities of war through insightful subtitles and meditative footage of abandoned structures that belong to the present as well as to the past.
Eine Einstellung für Harun Farocki
Eine Einstellung für Harun Farocki
Director
26 TAKES FOR HARUN FAROCKI is a film collage made by former students. One minute per take. This film was shot by Arthur Sumereder, Axel Töpfer, Björn Kämmerer, Christoph Kolar, David Pujadas Bosch, Franziska Pflaum, Georg Tiller, Jessyca R. Hauser, Johann Lurf, Josephine Ahnelt, Karo Riha, Mina Lunzer, Michael Poetschko, Monika Rabofsky, Mrova, Nathalie Koger, Patrick Schabus, Peter Muzak, Selma Doborac, and Thomas Lehner.
Showtime
Showtime
Editor
Based on various Bud Spencer and Terence Hill films, Showtime reduces the movement of the human body in film to an abstract level in a distinctively colourful way.
Showtime
Showtime
Director
Based on various Bud Spencer and Terence Hill films, Showtime reduces the movement of the human body in film to an abstract level in a distinctively colourful way.