Chris Tipton-King

参加作品

Las Muralistas: Our Walls, Our Stories
Colorist
Las Muralistas features women muralists whose works cover the walls of San Francisco’s Mission District. The muralism movement that emerged in the 1970s in the Mission District marked the beginning of a tradition of activism, expression, and community building through public art.
Las Muralistas: Our Walls, Our Stories
Cinematography
Las Muralistas features women muralists whose works cover the walls of San Francisco’s Mission District. The muralism movement that emerged in the 1970s in the Mission District marked the beginning of a tradition of activism, expression, and community building through public art.
The Sea Rach: Architecture, Environment, and Idealism
Colorist
On a ten-mile stretch of the Northern California coast lies the site of a radical architectural experiment. Learn the story behind The Sea Ranch, a place where environment informs geometry and buildings embody ideals.
The Sea Rach: Architecture, Environment, and Idealism
Cinematography
On a ten-mile stretch of the Northern California coast lies the site of a radical architectural experiment. Learn the story behind The Sea Ranch, a place where environment informs geometry and buildings embody ideals.
The PrEP Project
Director
A hybrid doc, The PrEP Project is sex ed for the 21st century, taking the fear out of the HIV epidemic with fun and outrageous frankness.
The Earth Did Not Speak
Cinematography
In Guatemala in the early 1980s, nearly 200,000 indigenous people were murdered in a series of massacres, the Mayan genocide, under the military rule of infamous general Efraín Ríos Montt. The Earth Did Not Speak gives voice to those who survived the 1982 massacre of 177 Maya Achi in the town of Rio Negro. When the community decided to resist forced relocation for the construction of the Chixoy Dam, the military retaliated. This silent and observational film tells the stories of the children who hid in the mountains and watched as their mothers were abused and murdered, then witnessed the flooding of their ancestral homeland. An exquisite mix of natural sound and visuals is interrupted by the voices of Rio Negro’s survivors. The film flows quietly, revealing the devastating emotional and environmental impact of the massacre and the way the Maya Achi are coping with trauma by remembering and rebuilding their town on the banks overlooking the dam.
Boys & Girls
Director
Young and attractive Keith and Marion are getting ready at home for a date, but they aren't planning on meeting each other: they're meeting someone of the same gender.