Carolina Bianchi

From Germany to Israel, Sweden to Brazil, girls and women face up to their wants and desires - their passions past, and lovers present. A mix of laughter, tears and warm inside feels, come and enjoy these tales and fall in love with the stories upon her lips.

The story of the decline of the Soares family in the final months of the 19th century. Isabel is the dying mother, and her daughters are Maria and Ana. The three women try hard to forget about their pasts in the coffee farm and face the industrial times that start to take over Brazil.

Carolina Bianchi shares the stage with 16 men - actors, dancers and musicians - selected from a residency at the Oswald de Andrade Cultural Workshop in Bom Retiro, Sao Paulo. The show is an archaic study of passion, a sacrifice of bodies that do not deny their fluids: sweat, saliva, blood. With a dramaturgy organized in paintings, Wolf can be considered a moving painting. Performers form a chorus of crowd into extreme existence, in an unbridled sequence of actions / images: they run, fall to the ground, have sex with each other and recite Emily Dickinson's poems. The montage circulates in several languages, articulating text, dance, performance and theater.

Carolina Bianchi shares the stage with 16 men - actors, dancers and musicians - selected from a residency at the Oswald de Andrade Cultural Workshop in Bom Retiro, Sao Paulo. The show is an archaic study of passion, a sacrifice of bodies that do not deny their fluids: sweat, saliva, blood. With a dramaturgy organized in paintings, Wolf can be considered a moving painting. Performers form a chorus of crowd into extreme existence, in an unbridled sequence of actions / images: they run, fall to the ground, have sex with each other and recite Emily Dickinson's poems. The montage circulates in several languages, articulating text, dance, performance and theater.

A young lesbian finds her grandmother's eccentric WW2 lover living beneath a swimming pool.