Christer Andersson

参加作品

The Look of a Killer
Production Design
Viktor Kärppä was forced involuntarily in the middle of Russia's internal power struggle. Soon bunch of assassins as well as Security Police are trying to catch Kärppä. Kärppä's family is also in great danger. In order to save themselves and their families they need to resort to Kärppäs friend, the police Korhonen , as well as his brother Aleksei.
Off Key
Production Design
Dramatic comedy about having fun, throwing yourself into life without inhibition, overcoming the feeling of shame and accepting that few things in life go as planned.
21 Ways to Ruin a Marriage
Production Design
The film follows Sanna, who sets out to document the countless ways there are to ruin a marriage for her doctoral thesis.
Hustlers
Production Design
The director Lauri Nurkse tells that Veijarit is a film about "arjensietokyvyttömyys" (= inability to tolerate everyday life) and about the Peter Pan complex. The main actor Mikko Leppilampi says it's about "kolkyttoistavuotiaat" (= thirtyeenagers = people of thirty behaving like teenagers). An immediate reference point is the commedia all'italiana of the 1950s and the 1960s, the black comedy often exposing the infantile stage of development of the Italian male. Saku and Ässä are anti-heroes, but we never fail to sense the humanity behind their shallow and crazy ways. Veijarit is a satire and a parody of a superficial way of life, but there is a vitality in the protagonists that we feel can lead them to a more meaningful stage of existence after the prolonged youth full of sound and fury. There is a motif of transcendence in the imagery of flying: will the balloons carry me or will they burst.
One Foot Under
Production Design
Visa Vuorio (Tobias Zilliacus), a 35-year old team leader at the Helsinki city gardening department, is suffering from a terminal neurological disease and only has a few months to live. Because of this, he is a member of a therapeutical support group for people suffering from terminal diseases. Visa's life changes when a young female reporter, Hanna Manninen (Helena Vierikko), arrives at the support group offering to write a series of articles about Visa's life story.
Playing Solo
Production Design
Onni von Sopanen
Production Design
11-year-old Onni is struck with the idea that his parents aren't his biological parents.
One-Way Ticket to Mombasa
Production Design
Pete loses his consciousness while playing in a pop band. The diagnosis is harsh and the doctor cannot say for sure whether Pete will celebrate his 18th birthday. One night, encouraged by the vodka on Jusa's 18th birthday, Pete confesses his love to Kata, his dream girl. Together with Jusa, they go to Lapland where Kata has her summer job. In Jusa's wild company, Pete experiences something which he never felt before as they decide to take a trip to Mombasa via Lapland.