Nathalie Bissonnette

それぞれの事情で世捨て人となり、カナダ・ケベック州の湖畔で静かに晩年を過ごす老人たちの穏やかで自由な共同生活の行方を、美しい自然とともに詩情あふれる筆致で描いた人生ドラマ。出演はアンドレ・ラシャペル、ジルベール・シコット、レミー・ジラール、ケネス・ウェルシュ。監督は本作が長編３作目のルイーズ・アルシャンボー。 　ケベック州の人里離れた深い森の中の湖。そのほとりにたたずむ小屋に年老いた３人の男...

それぞれの事情で世捨て人となり、カナダ・ケベック州の湖畔で静かに晩年を過ごす老人たちの穏やかで自由な共同生活の行方を、美しい自然とともに詩情あふれる筆致で描いた人生ドラマ。出演はアンドレ・ラシャペル、ジルベール・シコット、レミー・ジラール、ケネス・ウェルシュ。監督は本作が長編３作目のルイーズ・アルシャンボー。 　ケベック州の人里離れた深い森の中の湖。そのほとりにたたずむ小屋に年老いた３人の男...

Seven years ago, Max’s parents died in a car accident. Since then, the young man, now 35, has been treading water. He manages his father’s hockey memorabilia shop, lives in the apartment upstairs, and watches each and every Habs game with his friends. But he’s forced to take a hard look at his life when his girlfriend, Julie, leaves him, and his sister, Nathalie, comes back to town.

Hôtel La Louisiane is, at its core, a film about freedom and dignity. Freedom for those who wish to live in a place where they are able to feel inspired. Dignity for the hotel owner to stand by his promise to his father and keep their mission alive: to provide an affordable sanctuary for artists and students in search of fulfilling employment, which they certainly won’t find at other hotels. Freedom, too, to be in an environment of tolerance and rid of prejudice. This film is not just a story about a mythical setting in Paris; it portrays the microcosm of a lifestyle in which collective values reign supreme. A film where what’s real and true is placed above national borders or cultural barriers.