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Jannat Gargi

Jannat Gargi

略歴

Jannat Gargi is an award-winning creative producer and film executive. Prior to joining Westbrook Inc., as Senior Vice President of Documentaries, she was Vice President of Documentaries for VICE Studios overseeing development for a slate of premium documentaries and series including ESPN's 30 For 30 series about the American Gladiators and Executive Producer of three time Academy Award nominated documentary FLEE (2022). Prior to VICE Studios, Gargi served as Head of Documentary Films for Vulcan Productions where she developed and produced a wide range of acclaimed, cause-based documentary films including the Academy Award Nominated documentary and BAFTA winning Summer of Soul (...Or, When the Revolution Could Not Be Televised) directed by Ahmir "Questlove" Thompson (2022), Academy Award Nominated short documentary, Lead Me Home (2022), Master of Light, Best Documentary Prize winner SXSW (2022), Academy Award nominated short documentary, Hunger Ward (2021), and Academy Award nominated and Emmy Award winning Body Team 12 (2016). In her work as an independent producer, Gargi co-executive produced the Academy Award nominated short documentary Knife Skills (2018) and produced the Emmy nominated feature documentary CIRCO (2010). Gargi is a member of the Academy of Motion Picture Arts & Sciences (AMPAS), the Producer's Guild of America (PGA), serves on the Board of Directors for Washington FilmWorks and is the Co-Chair of The Redford Center, a non-profit that harnesses the power of media to engage people and galvanize environmental action.

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Jannat Gargi

参加作品

Executive Producer

Lift shines a spotlight on the invisible story of homelessness in America through the eyes of a group of young homeless and home-insecure ballet dancers in New York City and the mentor that inspires them.

Master of Light

Master of Light

Executive Producer

George Anthony Morton, a classical painter who spent ten years in federal prison, travels to his hometown to paint his family members. Going back forces George to face his past in his quest to rewrite the script of his life.

Anonymous Sister

Anonymous Sister

Executive Producer

Filmmaker Jamie Boyle, a DOC NYC 40 Under 40 honoree, turns the camera on her own family when her mother and sister become dependent on opioids. Drawing upon footage shot for over 30 years, Boyle creates a poignant and timely study of the deadliest man-made epidemic in United States history. The film is an eye-opening look at what it means to suffer, to survive, and to experience life in all of its pain and beauty.

East of the Mountains

East of the Mountains

Co-Producer

When retired heart surgeon Ben Givens learns that he has terminal cancer, he takes his beloved dog back to his boyhood home in Eastern Washington, determined to end his life on his own terms. Ben's journey, though, takes an unexpected turn, and soon becomes an adventure against which he pits himself with characteristic stoicism, wit, and determination.

サマー・オブ・ソウル（あるいは、革命がテレビ放映されなかった時）

サマー・オブ・ソウル（あるいは、革命がテレビ放映されなかった時）

Executive Producer

ウッドストックが開催された1969年の夏、160キロ離れた場所で行われたもうひとつの歴史的音楽フェスティバル「ハーレム・カルチュラル・フェスティバル」にスポットを当てた音楽ドキュメンタリー。スティービー・ワンダー、B・B・キング、マヘリア・ジャクソン、ニーナ・シモンらブラックミュージックのスターが集結し、30万人以上が参加しながらも、その様子を記録した映像は約50年間も地下室に埋もれたままになっていた。4度のグラミー賞受賞者で、エミネムやジェイ・Zのプロデューサーとしても知られるアミール・“クエストラブ”・トンプソンが初監督を務め、黒人の歴史やカルチャー、ファッション、音楽の大々的な発表の場となった同フェスティバルの全貌を、貴重な映像や当時のインタビュー、そして約50年の時を経てこの映像に初めて触れる当時の参加者たちの証言を交えながら描き出す。2021年サンダンス映画祭でドキュメンタリー部門の審査員大賞と観客賞を受賞。

Producer

A fisherman (Matt Beacham) and young mother (Emily Beth Beacham) have a chance encounter when their lines become tangled. But in this story of a mother’s desperate love, there’s more beneath the surface.

Executive Producer

Filmed from inside two of the most active therapeutic feeding centers in Yemen, HUNGER WARD documents two female health care workers fighting to thwart the spread of starvation against the backdrop of a forgotten war. The film provides an unflinching portrait of Dr. Aida Alsadeeq and Nurse Mekkia Mahdi as they try to save the lives of hunger-stricken children within a population on the brink of famine.

Producer

EDDY'S WORLD is a fascinating portrait of a 98 year old working toy inventor. Best known for the iconic "chattering teeth" and 800 classic toys, he shares his passion for creativity and his philosophies of life and aging. Eddy lives in a retirement community and we follow him through his daily routine - working on new models in his garage machine shop, writing short stories on his computer, creating translucent lithophane portraits with his new 3D printer., walking and exercising. Eddy began designing toys on the Batfish Submarine during World War II. He is an endearing story teller who believes that optimism and new ideas keep him young and healthy.

The Reason I Jump

The Reason I Jump

Executive Producer

Based on the book by Naoki Higashida, filmmaker Jerry Rothwell examines the lives of five non-speaking, autistic youngsters.

Producer

Three days leading up to Tiler Peck's direction and performance of a ballet exhibition in Los Angeles.

Co-Executive Producer

Edwin’s Restaurant is determined to become one of America’s top French restaurants, with a staff unlike any other in the country. Brandon Edwin Chrostowski prepares to open his Cleveland, Ohio fine dining establishment with a staff composed nearly entirely of recently released prisoners in search of an opportunity to get their lives back on track. They sign up for a classical French food boot camp to learn the ins and outs of fine wine, sauces, and more.

Consulting Producer

The senior year of a girls’ high school step team in inner-city Baltimore is documented, as they try to become the first in their families to attend college. The girls strive to make their dancing a success against the backdrop of social unrest in their troubled city.

Producer

Tells the story of the 1971 Women’s World Cup, which saw soccer teams from all over the world gather in Mexico City’s Azteca Stadium to compete in front of more than 100,000 spectators. It was the last women’s World Cup until the official FIFA event 20 years later. Dismissed by the male-dominated football associations around the world, the event was written out of history — until now.