Richard Fettes

チャーリー少年は、失業中の父と母、そして祖父母がふた組の、極度に貧乏な家で、けなげに明るく暮らしていた。ある時、家のすぐそばにある世界一のチョコレート工場の主、ウィリー・ウォンカ氏が、幸運な5人の子供たちに工場内を見学する許可を与える声明を発表。ウォンカ製のチョコレートに入ったゴールデンチケットを引き当てたのは、肥満少年のグループ、富豪のわがまま娘ヴェルーカ、賞獲り少女のヴァイオレット、ゲームおたくの少年マイク。そして最後の1枚がチャーリーの手元に転がりこんだ。

Sex is currency. It commands power and can instill fear. Tom, a young man with a troubled past finds himself sucked into a seedy underworld by George Norris, a now super villain with a sadistic streak. A helpless pawn in one of Norris's narcotic scams with a bent cop, Dunston, Tom is dragged deeper into a vicious circle of blood money, vice and ruthless violence from which their seems no way out. Until fate gives Tom a glimmer of hope. When Norris is killed in his apartment, Tom seizes his chance to escape. Terrified and covered in Norris's blood, Tom heads downstairs to his neighbors, Max and Nikki his new friends in the city. With going to the police out of the question, Max and Nikki speed Tom to their desolate cottage deep in the Welsh countryside. With the luxury of space, Tom begins to realize a long-forgotten dream; a return to happier times before his innocence was shattered. Suppressed emotion flood back provoked by Tom's attraction to Nikki...

Semi-autobiographical film directed by Franco Zeffirelli, telling the story of young Italian boy Luca's upbringing by a circle of English and American women, before and during World War II.

ドラッグ中毒のマークと悪友たちは常にハイ状態か、あるいはドラッグを手に入れるため盗みに精を出しているというていたらく。ある日、マークはこのままではいけないと更生するためにロンドンに行き職に就く。ところが、彼らの仲間が会社に押し掛けたことが原因で、マークはクビになってしまう。

In 1930s Australia, Anglican clergyman Anthony Campion and his prim wife, Estella, are asked to visit noted painter Norman Lindsay, whose planned contribution to an international art exhibit is considered blasphemous. While Campion and Lindsay debate, Estella finds herself drawn to the three beautiful models sitting for the painter's current work, freethinking Sheela, sensual Pru and virginal Giddy.

A little boy, obsessed with blindness and violence, slowly gets trapped in his own delusions.

A nearly wordless visual narrative intercuts two main stories and a couple of minor ones. A woman, perhaps the Madonna, brings forth her baby to a crowd of intrusive paparazzi; she tries to flee them. Two men who are lovers marry and are arrested by the powers that be. The men are mocked and pilloried, tarred, feathered, and beaten. Loose in this contemporary world of electrical-power transmission lines is also Jesus. The elements, particularly fire and water, content with political power, which is intolerant and murderous.

A Falklands War soldier missing, believed dead, turns up claiming amnesia.