Nelson Carlo de los Santos Arias

参加作品

Pepe
Producer
A voice that claims to be from a hippopotamus. A voice that doesn’t understand the perception of time. Pepe, the first and last hippo killed in the Americas, tells his story with the overwhelming orality of these towns.
Pepe
Sound Designer
A voice that claims to be from a hippopotamus. A voice that doesn’t understand the perception of time. Pepe, the first and last hippo killed in the Americas, tells his story with the overwhelming orality of these towns.
Pepe
Music
A voice that claims to be from a hippopotamus. A voice that doesn’t understand the perception of time. Pepe, the first and last hippo killed in the Americas, tells his story with the overwhelming orality of these towns.
Pepe
Editor
A voice that claims to be from a hippopotamus. A voice that doesn’t understand the perception of time. Pepe, the first and last hippo killed in the Americas, tells his story with the overwhelming orality of these towns.
Pepe
Cinematography
A voice that claims to be from a hippopotamus. A voice that doesn’t understand the perception of time. Pepe, the first and last hippo killed in the Americas, tells his story with the overwhelming orality of these towns.
Pepe
Writer
A voice that claims to be from a hippopotamus. A voice that doesn’t understand the perception of time. Pepe, the first and last hippo killed in the Americas, tells his story with the overwhelming orality of these towns.
Pepe
Director
A voice that claims to be from a hippopotamus. A voice that doesn’t understand the perception of time. Pepe, the first and last hippo killed in the Americas, tells his story with the overwhelming orality of these towns.
Cocote
Writer
A rapturous crime fable set in the Dominican Republic, Nelson Carlo De Los Santos Arias’ COCOTE follows Alberto, a kind-hearted gardener returning home to attend his father’s funeral. When he discovers that a powerful local figure is responsible for his father’s death, Alberto realizes that he’s been summoned by his family to avenge the murder. It’s an unthinkable act — especially for him, an Evangelical Christian. But as pressure mounts, he sees few ways out. Questions of faith, tradition and honor course through this electrifying film, which, seemingly at the speed of thought itself, jumps between film formats, colors, and aspect ratios, radically envisioning a community torn asunder by senseless violence.
Cocote
Editor
A rapturous crime fable set in the Dominican Republic, Nelson Carlo De Los Santos Arias’ COCOTE follows Alberto, a kind-hearted gardener returning home to attend his father’s funeral. When he discovers that a powerful local figure is responsible for his father’s death, Alberto realizes that he’s been summoned by his family to avenge the murder. It’s an unthinkable act — especially for him, an Evangelical Christian. But as pressure mounts, he sees few ways out. Questions of faith, tradition and honor course through this electrifying film, which, seemingly at the speed of thought itself, jumps between film formats, colors, and aspect ratios, radically envisioning a community torn asunder by senseless violence.
Cocote
Director
A rapturous crime fable set in the Dominican Republic, Nelson Carlo De Los Santos Arias’ COCOTE follows Alberto, a kind-hearted gardener returning home to attend his father’s funeral. When he discovers that a powerful local figure is responsible for his father’s death, Alberto realizes that he’s been summoned by his family to avenge the murder. It’s an unthinkable act — especially for him, an Evangelical Christian. But as pressure mounts, he sees few ways out. Questions of faith, tradition and honor course through this electrifying film, which, seemingly at the speed of thought itself, jumps between film formats, colors, and aspect ratios, radically envisioning a community torn asunder by senseless violence.
Santa Teresa & Other Stories
Director of Photography
In the fictional city of Santa Teresa, located on the border between Mexico and USA, the researcher Juan de Dios Martínez straddles the line between journalism and detective work. Based on an unfinished book by Roberto Bolaño, his character investigates a handful of crimes and abuses perpetrated on women and workers of the zone.
Santa Teresa & Other Stories
Writer
In the fictional city of Santa Teresa, located on the border between Mexico and USA, the researcher Juan de Dios Martínez straddles the line between journalism and detective work. Based on an unfinished book by Roberto Bolaño, his character investigates a handful of crimes and abuses perpetrated on women and workers of the zone.
Santa Teresa & Other Stories
Director
In the fictional city of Santa Teresa, located on the border between Mexico and USA, the researcher Juan de Dios Martínez straddles the line between journalism and detective work. Based on an unfinished book by Roberto Bolaño, his character investigates a handful of crimes and abuses perpetrated on women and workers of the zone.
Lullabies
Lullabies is a false autobiography. A game that sometimes is blue or has no color. A story that, as Dominican conversations, won't finish its ideas and finds in onomatopoeias conclusions to its thoughts. A tale about a glance, a space, an action, or a love, but that definitely belongs to the boy that appears and disappears in the abstraction of a childhood memory.
Lullabies
Director
Lullabies is a false autobiography. A game that sometimes is blue or has no color. A story that, as Dominican conversations, won't finish its ideas and finds in onomatopoeias conclusions to its thoughts. A tale about a glance, a space, an action, or a love, but that definitely belongs to the boy that appears and disappears in the abstraction of a childhood memory.
You Look Like a Carriage That Not Even the Oxen Can Stop
Director
Gladys and her daughter live on the periphery of New York City where they share their isolated lives together in their own little space in the same house, which is their whole world. Hidden in a city that also hides from them, a New York that grows smaller as the two of them stay within their own four walls where they only speak Caribbean Spanish together, and a few words in English they have managed to remember.
Le Dernier des Bonbons
Director
A short film
SheSaidHeWalks HeSaidSheWalks
Director
She Said He Walks, He Said She Walks (2008) is nostalgia, bitter love and postures encapsulated in a skilled short film by Dominican Nelson Carlo de los Santos. Presents a resounding account of a relationship, subject to contemplation of four minutes. Sleazy love disoriented by the wandering wanderings of what was wanted and felt, within a complaint about the industrialized and prefabricated image that pollutes the natural feeling.