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This coarse bedroom farce takes place at the St. Moritz ski resort over a Christmas vacation. Among the couples whose lives intersect are a widowed artist honeymooning with his second wife, a gay man traveling with his son and his lover (and hiding each from the other), a snobbish couple from Milan who have been forced to share a suite with a pair of crass Romans, etc.
Cinematography
Nazis aim a secret weapon at the USA during WW2. The only people who can stop it must race against time and overwhelming odds.
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Amelia and Pippo are reunited after several decades to perform their old music-hall act, imitating Fred Astaire and Ginger Rogers, on a TV variety show.
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Piera is a young woman who grows up under the parentage of two extremely original overseers: both her mother and father have incestuous relations with her before they are committed to insane asylums.
A special connection, between a mother and her daughter, full of sensuality and complicity, has allowed to portray a family full of fears, rather unbalanced, but nevertheless searching infinite love.
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A burned-out New York police detective teams up with a college psychoanalyst to track down a vicious serial killer randomly stalking and killing various young women around the city.
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An under-taker (Renzo Montagnini) unintentionally raises three accident victims from the dead while reading out-loud from a zombie pulp novel. He dies of a heart attack, but the zombies then turn around raise HIM with the same book, and the the four of them shamble off looking for food. After unsuccessfully trying to prey on passing motorists, they end up at an inn owned by the aunt of one of the men. After accidentally giving her a heart attack, they take over the inn and try dine on the guests, but their plans go hilariously awry as the movie turns into a parody of "Night of the Living Dead", its sequel (and Italian co-production) "Dawn of the Dead", as well as such classics as "Dead of Night" and even "The Wizard of Oz"
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第一次大戦から5年が経過したドイツの保養地に戦傷で性的不能となった作家が帰って来る。彼はそこで驚くべき美少女と出会い、まだ幼い彼女にのめりこんで行く。
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Rome, 1880. Gregorio Ferramonti (Anthony Quinn) has decided to close his bakery, the family business. Then he tells his sons Pippo (Gigi Proietti), Mario (Fabio Testi) and Teta that they will have to fend for themselves. But Irene (Dominique Sanda), the wife of Pippo, a beautiful, calculating and ambitious young woman, wants to take over the inheritance. Acting on intelligence, weighing every step and its consequences, she manages to convince the brothers that they must prevent at all costs that his father falls in love again to avoid the risk of losing their inheritance.
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Two crime families battle for supremacy in 1929 Chicago in this Italian crime spoof. One group, known as the "Sons of Mammasantissima" thereby professes its (ironic) dedication to the Virgin Mother. The other family works undercover from a Salvation Army soup kitchen. Neither family seems capable of accomplishing anything of note until a wily Sicilian arrives on the scene and sorts things out.
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Doctor Miguel Azzini is found shot dead dead. The police suspect his colleagues: Elena Carli, his former mistress and owner of the clinic where he worked; Roberto Carli, her surgeon husband; Doctor Paula Lombardo, Roberto's mistress; and the clinic's administrator. Inspector Nardi discovers that Elena has a heart condition and had offered Miguel an increased sharehold in the clinic in order to dissuade him from leaving for another post. Elena's heart condition is worsened by the relentless police scrutiny and by her suspicion that Roberto is the murderer. She has to be rushed into hospital and is even more alarmed when Roberto prepares to operate...
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Creepy tale about a sorrowful night passed in a nightmarish castle, also the house of the demon. Many horror elements are mixed with erotic atmosphere.