Jane, a small-town girl, has moved to Helsinki and the world is finally open for her. Passionate and excited, she seeks adventure, all the things she has yearned for so long. Jane gravitates to a gay bar at night, staggers in her nervous state of mind, and suddenly there, right next to her, Jane finds her savior: Piki, the most dashing butch in town. Piki is perfect. Jane is hypnotized by Piki's dark-toned voice. Piki offers her an entire new universe, and even more - dreams.
A stubbornly traditional eighty-year-old farmer - whose social attitudes verge on the prehistoric - raises hell when he is forced to move in with his sadsack, city-dwelling son and domineering daughter-in-law.
The director Lauri Nurkse tells that Veijarit is a film about "arjensietokyvyttömyys" (= inability to tolerate everyday life) and about the Peter Pan complex. The main actor Mikko Leppilampi says it's about "kolkyttoistavuotiaat" (= thirtyeenagers = people of thirty behaving like teenagers). An immediate reference point is the commedia all'italiana of the 1950s and the 1960s, the black comedy often exposing the infantile stage of development of the Italian male. Saku and Ässä are anti-heroes, but we never fail to sense the humanity behind their shallow and crazy ways. Veijarit is a satire and a parody of a superficial way of life, but there is a vitality in the protagonists that we feel can lead them to a more meaningful stage of existence after the prolonged youth full of sound and fury. There is a motif of transcendence in the imagery of flying: will the balloons carry me or will they burst.
