François L'Écuyer

François L'Écuyer

出生 : 1965-05-10,

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François L'Écuyer

参加作品

フライト236
Expert en communication
Toronto, August 2001. Commander Robert Piche left Pearson Airport heading for Lisbon on an Airbus 330. Due to a significant fuel loss, he was headed for an almost certain crash. However, he courageously kept his cool and skillfully glided the plane to a safe landing, saving the 306 passengers on board. Back in Canada, Piche's criminal past and extraordinary life came to light, explaining somewhat how he was able to commit this heroic act.
Audition
Homme au spectacle
Louis is "repo man" who is no stranger to strong-arm tactics in his work, but he has dreamed of becoming an actor since he was a child. When cousin helps him get an audition, he gets the help of a fam... read more ous actor to him secretly rehearse his scenes. He doesn't even tell his girlfriend Suzie But, Suzie also has a secret. She's pregnant and doesn't want her child to grow up in an atmosphere of violence.
Québec-Montréal
Orignal
Quebec-Montreal: 250 km (150 miles) of asphalt, nine thirtysomething travelers, four cars, one destination. The journey becomes an opportunity to share points of view about life and to discuss troubling questions about our existence.
The Countess of Baton Rouge
Étienne
In a style evocative of Fellini at his most surreal, this bizarre French Canadian fantasy follows the romance between a young filmmaker and a bearded lady from a local circus during the 1960s. The story begins in a contemporary theater where a projectionist describes, to movie director Rex Prince, the ghostly spirit that seems to be haunting his film. The story then races backward to the 1960s when a half-mad, idealistic Rex was busily making his first film, a Marxist tract depicting poverty in Montreal. Edouard Dore, a well-connected editor works with him and it is he who takes Rex to a carnival late one night to meet the performers in a freakshow. The first person Rex meets is Le Grand Zenon, a hulking one-eyed fellow with the amazing ability to use his eye to project movie images on a screen with neither a projector nor film.