Alena Lodkina

参加作品

Petrol
Writer
While scouting locations for a university project, Eva crosses paths with Mia; later, they meet again at a house party, and an intense friendship soon forms between the introverted student filmmaker and the inscrutable but magnetic performer. As the pair becomes ever more entwined, so does the supernatural begin to entangle with the everyday, revealing the cracks between memory and make-believe, reality and fantasy. All the while, Eva seeks to better understand her friend – and her own self – leading her deeper into the surreal rabbit hole that is Mia’s life.
Petrol
Director
While scouting locations for a university project, Eva crosses paths with Mia; later, they meet again at a house party, and an intense friendship soon forms between the introverted student filmmaker and the inscrutable but magnetic performer. As the pair becomes ever more entwined, so does the supernatural begin to entangle with the everyday, revealing the cracks between memory and make-believe, reality and fantasy. All the while, Eva seeks to better understand her friend – and her own self – leading her deeper into the surreal rabbit hole that is Mia’s life.
Mercury
Director
Diving into dreams of transcendence, Argonautica, Jason and Medea, cruel love, big deity energy, mythical murderesses, possible worlds, open windows.
Strange Colours
Writer
Milena travels to a remote opal mining community to see her estranged, ill father. Lost and alone, she falls into his bewildering world, where men escape society and share ideals of freedom. Soon, he doesn’t want her to leave. Stuck in time, father and daughter try to mend their fractured bond, but their connection is fragile, like the strange, colourful gems he digs up from the earth.
Strange Colours
Director
Milena travels to a remote opal mining community to see her estranged, ill father. Lost and alone, she falls into his bewildering world, where men escape society and share ideals of freedom. Soon, he doesn’t want her to leave. Stuck in time, father and daughter try to mend their fractured bond, but their connection is fragile, like the strange, colourful gems he digs up from the earth.
Lightning Ridge: The Land of Black Opals
Director
An insight into the lives of the miners who search for Australia’s famous black opals.
There Is No Such Thing as a Jellyfish
Assistant Editor
Hannah walks through the city, observing people and objects, searching for something, looking at delicious pastries. She is on her way to an appointment with a tarot reader and inside and house space unfolds like the walls of a dream, only to reveal a pair of rummaging thieves. Alone, Hannah is entering a mystery and the clues are sparse and uncertain. She floats like a jellyfish, but perhaps there is no such thing.
There Is No Such Thing as a Jellyfish
Co-Producer
Hannah walks through the city, observing people and objects, searching for something, looking at delicious pastries. She is on her way to an appointment with a tarot reader and inside and house space unfolds like the walls of a dream, only to reveal a pair of rummaging thieves. Alone, Hannah is entering a mystery and the clues are sparse and uncertain. She floats like a jellyfish, but perhaps there is no such thing.
There Is No Such Thing as a Jellyfish
Writer
Hannah walks through the city, observing people and objects, searching for something, looking at delicious pastries. She is on her way to an appointment with a tarot reader and inside and house space unfolds like the walls of a dream, only to reveal a pair of rummaging thieves. Alone, Hannah is entering a mystery and the clues are sparse and uncertain. She floats like a jellyfish, but perhaps there is no such thing.
There Is No Such Thing as a Jellyfish
Director
Hannah walks through the city, observing people and objects, searching for something, looking at delicious pastries. She is on her way to an appointment with a tarot reader and inside and house space unfolds like the walls of a dream, only to reveal a pair of rummaging thieves. Alone, Hannah is entering a mystery and the clues are sparse and uncertain. She floats like a jellyfish, but perhaps there is no such thing.
You Like It, I Love It
Production Designer
Two brothers kill time in a series of ambiguous vignettes that create a mood both playful and unnerving, taking us through the looking glass of middle-class Australia.
Plain Pleasures
Director
Emily longs for an expensive, exquisite silk dress. It’s silly to spend so much money on things, but what is life without plain ordinary pleasures?