Misako Tokiwa

Misako Tokiwa

出生 : 1897-11-08, Osaka, Japan

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Misako Tokiwa

参加作品

乞食大将
Gotō Matabei is the most able and fierce samurai of the Kuroda clan. However, he gradually dislikes the ruthless personality of Kuroda Nagamasa and leaves the clan. Seven years later, he joins Toyotomi Hideyori's army. Filmed in 1945 and released in 1952.
阿修羅判官
偽れる盛装
Clothes of Deception initiated Yoshimura’s most characteristic vein. This geisha story is often described as a loose remake of Mizoguchi’s pre-war masterpiece Sisters of Gion (1936), but this is inexact. Whereas in Mizoguchi’s study of two sisters, both women had been geisha, in Yoshimura’s film only Kimicho (Kyo Machiko) is, while her sister works in the Kyoto tourist office. Juxtaposing a traditional Kyoto profession with a modern one, Yoshimura shows how life in the old capital was changing in the wake of wider transformations in Japanese society.
赤城から来た男
復活
“グランプリ女優”京マチ子の主演作。讃美歌の流れるクリスマスの夜、ゆきずりにも似た男に純潔を捧げた女が、哀しくもたどる背信と罪の世界。再びめぐってこない青春を泥沼に捨てて絶叫する、女の心にふと咲いた恋の切なさを描く。
愛の山河
手をつなぐ子等
A small-town boy with a learning disability attempts to fit in with his classmates.
扉を開く女
明治十二三年頃、横浜での物語。ある露路の長屋に栗崎菊栄という裁縫の師匠がやもめ暮らしをしていた。隣には月琴の流しをしているお絹という美しい娘が母と二人暮らし。お絹は稼業に似ずしおらしい素直な娘である。彼女は貿易商阿島家の駆者をしている江口信吉という将来弁護士を志す青年と愛し合う仲であった。阿島は信吉を見込んで跡取りに迎える…。
かくて神風は吹く
Aki
元寇の役における博多湾での海戦を、オールスター・キャストで描いたスペクタクル時代劇。 台風シーンは、東宝特撮陣を招いて撮影された。 もはや神風にでも頼らなければ、日本は戦争に勝てないと思って製作されたような気もする、挙国一致の気概をあおる愛国映画である。
獨眼龍政宗
The life, adventures and exploits of warlord Date Masamune the One-eyed Dragon: his early youth as an aggressive warrior, the battles he won until subduing almost all his enemies, the lonely comprehension of knowing that he actually can not take over the whole country because he was born too late.
江戸最後の日
Proprietress Oseki
It is a historical drama that follows Katsu Kaishu's efforts to surrender Edo Castle bloodlessly in the first year of the Meiji period.
伊太八縞
Japanese movie
白夜の饗宴
In old Edo, Kakunojo (Chiezo), a dandy about town, falls in love with Oichi (Isuzu Yamada), whose merchant family is much beyond Kakunojo's status. He nevertheless pursues her until her initial disgust breaks down into fondness, then romantic feelings, inducing her to abandon her fiance on their wedding day.
瞼の母
Ohama
His mother abandoned him as a child, so he had no choice but to live outside society. Even so, he grows up determined to reunite with her. Worried that she might be living in misery, he saves his money to help, only to find that she has married into wealth and social position and has no intention of seeing her outcast Yakuza son...