Iair Said

1972年、ウルグアイ空軍機がアンデス山脈の奥深く、人里離れた山地に墜落。過酷なサバイバルに直面した生存者たちは、互いを鼓舞し合い、極限の試練を生き延びた。

Lava (2019), the animated film Ayar Blasco presented at the 34th edition of the Mar del Plata Film Festival, left many subplots unresolved in a sci-fi narrative in which an alien civilization dominated the planet through technological devices. This incompleteness, which could then be attributed to the director’s aesthetics, always free and prone to absurdity, was actually a pause that now, four years later, is resumed. The protagonist continues to be Débora, a somewhat insecure tattoo artist who ends up involved in the resistance when a new batch of invaders threatens to wipe out every single record of the human race. With the childlike strokes and the uncontrollably innocent humor characteristic of him, Blasco continues to shape his own epic, a hallucinated version of El Eternauta, with click beetles and all.

María Fernanda and Roberto have a tortuous relationship: they spend most of their day fighting. Problem is, their fights irradiate a laziness wave that overcomes little by little all of humanity. Both of them will have no other choice but to work out their problematic relationship, before the Laziness Wave destroys the world.

A porn director, a fugitive, a priest. The life of Victor X.

Theo tries to reunite with his family. He rearranges his apartment and leaves everything ready for the return of his mother, who will be free again.

1960年、イスラエル諜報特務庁の諜報員たちはある重要任務につく。それは、悪名高いナチスの戦犯アドルフ・アイヒマンを捕らえること。史実に基づくドラマ。

Flora Schvartzman is a ninety year-old single woman who has wanted to die since the day she was born. Distanced from her family, she gets in touch with them to organize her own death. Iair, her great-nephew, is the first one to take an interest in her and her heirless apartment.

Flora Schvartzman is a ninety year-old single woman who has wanted to die since the day she was born. Distanced from her family, she gets in touch with them to organize her own death. Iair, her great-nephew, is the first one to take an interest in her and her heirless apartment.

Flora Schvartzman is a ninety year-old single woman who has wanted to die since the day she was born. Distanced from her family, she gets in touch with them to organize her own death. Iair, her great-nephew, is the first one to take an interest in her and her heirless apartment.

Flora Schvartzman is a ninety year-old single woman who has wanted to die since the day she was born. Distanced from her family, she gets in touch with them to organize her own death. Iair, her great-nephew, is the first one to take an interest in her and her heirless apartment.

Flora Schvartzman is a ninety year-old single woman who has wanted to die since the day she was born. Distanced from her family, she gets in touch with them to organize her own death. Iair, her great-nephew, is the first one to take an interest in her and her heirless apartment.

In 2001, far from the space ships, Argentina suffers a social and economic crisis that rages the fury in the streets. Looting, violence and terror are part of the everyday landscape. Fear overflows the atmosphere and families are breaking down in a rarefied climate.

Mateo and Camila, a couple that allow each other being unfaithful with a unreachable someone chosen by each.

When the internet goes down and nobody's sure how to fix it, the office staff finds themselves lost with nothing to do.

It's Martin's Birthday. A confusing gift will make him wonder how the rest of the people see him.

It's Martin's Birthday. A confusing gift will make him wonder how the rest of the people see him.

It's Martin's Birthday. A confusing gift will make him wonder how the rest of the people see him.

Six twenty-something friends are spending New Year's Eve at a summer house at the river. The host, Nicolas (writer and director Martin Piroyansky, XXY), brings his ex-girlfriend Pilar (Inés Efron, Empty Nest, XXY) with whom he just had a one-night stand. But, Nicolas hits on every other girl including the brooding Cata (Vera Spinetta) and the voluptuous Belén (Justina Bustos). When Nicolas unexpectedly falls into bed and then into love with the high-strung Manuela (Violeta Urtizberea) who also happens to be his best friend's girlfriend, the last laugh is on him.

An argentine woman and an American man have a cultural disagreement about intimacy and how romance is conceived.

Buenos Aires, Argentina. Sebastián, a successful lawyer, leaves his ex-wife's condo, located on the seventh floor of an apartment building, to take his two children to school. While they run down the stairs, he uses the elevator. Once on the ground floor, Sebastián awaits the arrival of the children…

Inside David’s lives a troubled, doubtful, neurotic young man.

Fragments of a Saturday winter day. The Vittenzein brothers are alone at their family house. Mateo stops by to pick up Bruno and Camilo and drive them to the country house where their mother awaits. A sudden break slam brings them into the intimacy of a waste land.