Katharina Bühler

参加作品

さえない私にさようなら
Director of Photography
「ファーラウェイ」としても知られる本作の主人公、ゼイネップ・アルティンはもう限界でした。どんなに働いても夫や娘、年老いた父から感謝もされず、そのうえ亡くなった愛する母の遺体に葬儀屋は、彼女のお気に入りのドレスではなく男物のスーツを着せる始末。もう我慢がならないと、ゼイネップはミュンヘンを離れ、母が何年も前に密かに購入したクロアチアの島にあるコテージへと旅立ちます。平穏と静けさを手に入れて再び自分を取り戻そうとするゼイネップ。でもそこには、コテージの元持ち主だった無骨な島民ヨシップがまだ住んでいて...。
Plötzlich so still
Camera Supervisor
When Eva wakes up, her baby is calm. Too calm. Your child is no longer breathing. Desperate, she massages the little heart. For free. While still in shock, Eva makes a monstrous decision.
Winter Hunt
Director of Photography
On a cold, wintry night, Lena shows up on the doorstep of the Rossberg family mansion. She claims her car has broken down, but her arrival is intentional. Lena is in pursuit of Anselm Rossberg, an aged Auschwitz guard who lives with his daughter, Maria. Anselm and Maria both deny Anselm's past, but Lena is determined to get him to confess, even as her own weapon is turned on her and she is forced into a moral dilemma.
M wie Martha
Director of Photography
Helene and Martha spend the summer holidays in the polish cottage of Marthas parents where they get as close as never before. Two women, one hot summer, and a short goodbye.
Other World
Director of Photography
It offers a nuanced look at life in the women's ward of a psychiatric clinic, where most patients have been convicted of a crime.
Cathedrals
Director of Photography
The city of Ordos, in the middle of China, was build for a million people yet remains completely empty. Ordos is not so much a place but a symbol of babylonic hype. But nothing will change - as long as people believe.
Geister, die ich rief
Director of Photography
Johanna believes to find happiness and security in her family live with husband and daughter. But facing her unfulfilled desire disturbs Johanna's serenity.
Monika
Director of Photography
Beelzebub
Director of Photography
A stubborn, atmospheric and brutal view of the great love between father and daughter.