Director of Photography
Everything is under control, she thinks. Everything is lost, he thinks. And then they meet. And fall.
Director of Photography
After 8 years of self-inflicted exile Ishak reluctantly returns to his hometown. There, he must face the demons of his own past and inevitably confront his old community, who is reluctant to uncover its deeply buried sins. At his mother's funeral Ishak encounters a lovely vagrant by the name of Ferhat. Ishak followers Ferhat and as a result meets Sirma, his daughter who every once in while comes from the city to visit her father. Ferhat and Sirma are, in fact, the father and sister of the young forestry engineer Ali, who had been appointed to the village seven years ago and who suddenly disappeared; Ishak also knew him well. For Ishak, this encounter once again opens up old wounds from seven years ago. So what happened to Ali seven years ago "That night"? and what does Ishak know about the incident?
Director of Photography
On her wild quest for love, 9-year-old Benni's untamed energy drives everyone around her to despair.
Director of Photography
Laika, a stray dog, was the first living being to be sent into space and thus to a certain death. A legend says that she returned to Earth as a ghost and still roams the streets of Moscow alongside her free-drifting descendants. While shooting this film, the directors little by little realised that they knew the street dogs only as part of our human world; they have never looked at humans as a part of the dogs’ world.
Cinematography
A Kurdish woman is sentenced to six years of house arrest with an electronic ankle bracelet. The charge: supporting terrorist activities. From now on an invisible border runs through her garden in a Turkish village, which she repeatedly trespasses. Her older son is torn between obedience and rebellion. How far will he go to protect his mother from further punishment?
Director of Photography
World, that is for the followers of a small Mennonite community in Argentina, all that is outside, beyond their community, where the "worldmen" live. Their everyday life is determined by an attempt to ward off everything modern, a life without electricity, machines and communicative media, a school whose only books are the Bible and the Catechism. Nora Fingscheidt takes this life in the eye and lets it be told by those who live it - in different degrees of devotion. In the process, it is not least apparent how a life-style, which has devoted itself entirely to the departure from this "world," is formed around it. And then, between the pictures and the words, a gap opens, in which the longing for a more destitute life, as well as the fear of a sad departure, becomes perceptible.
Cinematography
«The earth has a memory», it is once said in this film. It embraces the dead, and with them their memories. Digging for these memories can reveal another life. Not as a document, but as fertile ground for feelings and thoughts. Director Levin Peter spends a lot of time in intense conversations with his grandfather who used to be stationed in the Ukraine as a soldier of the Wehrmacht. Levin travels there, looking to trace and excavate what he has heard. What he has heard are the kind of tales that can haunt you in old age.
Cinematography
Beatrice lives with her husband Jonas and their two daughters seemingly idyllic in the countryside. But family life is clouded by their constant self-doubt and the feeling of not being loved. Fearing to lose her family, Beatrice almost destroys her - but is eventually caught by Jonas. A melancholic, sensual narrative about the decay and resurrection of a woman.
Director of Photography
