Antonio Penido

参加作品

Chronically Unfeasible
Cinematography
Filmed over a five-year period, Chronically Unfeasible dissects Brazilian problems, using six people who meet in a restaurant in São Paulo as models to illustrate political, sociological and economic disparities between Brazil's upper and lower classes.
The Patriot
Director of Photography
Policarpo is a chauvinistic patriot, a major who tries to find solutions for Brazilian problems using only the resources of his own country. His visionary and idealistic temperament is behind his strange ideas about how to build a great nation.
Decisão
Director of Photography
He loves soccer. She hates it. Perfect ingredients for a love affair.
Vagas para Moças de Fino Trato
Director of Photography
In Vitória, the middle-age piano teacher Gertrudes sublets her apartment to two younger women, the unstable Lúcia and the nurse Madalena. Gertrudes misses and daydreams her former love and has a motherhood relationship with Lúcia; Madalena has a promiscuous life, having one night stand with the most different men every day and her behavior is criticized by Gertreudes; and Lúcia is dreamer that manipulates Gertrudes and expects that the handyman Alfredo becomes her prince charming. Their conflictive relationship ends when Madalena discloses their inner feelings and secrets to each other.
Inspector Faustão and the Vagabond
Director of Photography
Faustão, a fruit seller, is selected by God himself to become Inspector Faustão, defender of the animals. He's joined by Sérgio Mallandro in a mission to save a group of quails from an illegal smuggler, while also having to deal with a bratty kid and a jealous girlfriend.
Barrela: Escola de Crimes
Director of Photography
In an overcrowded prision cell, each man has to make his own way and secure himself from the constant threat of sexual violence coming from the rest of the inmates.
Barrela: Escola de Crimes
Associate Producer
In an overcrowded prision cell, each man has to make his own way and secure himself from the constant threat of sexual violence coming from the rest of the inmates.
Fulaninha
Director of Photography
Movie director in his forties and in existential crisis falls in love with an unknown teen girl he sees walking down the streets, without knowing she's the daughter of the woman he's having a relationship with.
Baixo Gávea
Cinematography
Clara directs the rehearsals of a theatrical play about Fernando Pessoa while constantly seeking the right man and the love of his life. One of the actresses is the lesbian Ana, who interprets the poet Mário de Sá Carneiro. She is Clara's friend and confidant with whom she shares an apartment. Clara does not perceive Ana's love for her, that always helps her to recover from the disappointments. Unlike the character Sá Carneiro, poet of decadentism, nostalgia, metaphysics and vague, Ana is the pragmatic side of Clara, who often brings a disillusioned vision as if it were Fernando Pessoa himself, who may be associated with concepts of the poet's heteronyms.
Noite
Director of Photography
Night falls when, in an elegant neighborhood of Porto Alegre, a socialite is brutally murdered. The entire police department act immediately to identify and arrest the killer. A man in his 30s wanders down a large avenue. He wears fine clothes, he walks elegantly. His broken watch reads 18:47. The man searches his pockets for documents he cannot find. Neither he can recognize himself in the objects he carries: a wallet full of bills, a theater entrance ticket, a bloodstained handkerchief. Crossing pedestrians for whom that night will be like any other, he seeks to recover his memory and identity.
Águia na Cabeça
Director of Photography
A senator having contacts with illegal betting activities is killed by the man who is his right arm, who wanted to get his position. But the power structure resents this disturbance and can fall apart, specially since there's a witness.
O Bom Burguês
Director of Photography
True story of Brazilian bank clerk who supplied money for the guerrilla fighting against the military dictatorship of the 70s. When he changes his disguise, he gets involved with high society, and with industrialists who were financing repression to the groups he stood for.
Beijo na Boca
Director of Photography
Middle-class girl gets involved with a jealous drug dealer, who wants to kill all of her previous boyfriends.
Engraçadinha
Director of Photography
After the funeral of her father Arnaldo, who committed suicide, Engraçadinha confesses to the priest the motives. On the engagement party of her cousin Sílvio with Letícia, Engraçadinha seduces him in the library, and later she ends her engagement with Zózimo and lies to Letícia, telling that she is pregnant. Letícia decides to tell Arnaldo what happened, and he says that the child can not be born. He exposes dirty secrets to Engraçadinha, and a tragedy is announced.
Dá-lhe, Rigoni!
Director of Photography
A documentary about the most famous Brazilian jockey of all times, who remembers his glorious past in Rio's Jockey Club.
Na Ponta da Faca
Cinematography
Adventures of a migrant who comes from Northeast Brazil to Rio de Janeiro, where he meets a prostitute.
Academia Brasileira de Letras
Director of Photography
The origins and activities of the Academy, culminating in the election of the first female academic: Rachel de Queiroz.
Ovelha Negra, Uma Despedida de Solteiro
Director of Photography
João, a playboy, spends his last day as a single in a resort hotel, where he seduces a teenager and gets involved with the casino singer.
Blablablá
Assistant Camera
The tensions experienced by three different people during the military dictatorship in Brazil: a politician, a revolutionary and a common citizen.