Raampa
Shiva, a tribal vagabond lives with his mother in hamlet, stays away from the traditional Daivaradhane and Bhoota Kola legacy due to an unforgettable childhood incident. He is happy loafing around with his friends and doing petty jobs for his landlord. When Forest officer Murali enters the scene, it gives a fresh dimension to the man-vs-nature fight. Can Shiva save the forest from Murali? Or is Murali just a dummy bait cast by bigger fish?
Co-Writer
Shiva, a tribal vagabond lives with his mother in hamlet, stays away from the traditional Daivaradhane and Bhoota Kola legacy due to an unforgettable childhood incident. He is happy loafing around with his friends and doing petty jobs for his landlord. When Forest officer Murali enters the scene, it gives a fresh dimension to the man-vs-nature fight. Can Shiva save the forest from Murali? Or is Murali just a dummy bait cast by bigger fish?
Ramanath
Shiva and Hari, two friends who are polar opposites in demeanour, are the terror in Mangaladevi. What happens when ego, ambition and jealousy creeps in between their strong friendship?
Srinivas
Janardhan a 28 year old Kannada Lecturer from Mangalore who is quite an introvert comes to know from an astrologer that he would attain sanyasa (embrace asceticism) if he doesn't get married within a year. Hearing this Janardhan is now in a situation of trouble & desperation as he has never had a decent conversation with females until now in his life & all the proposals his family has seen also has gone in vain as he doesn't look great,physically. Janardhan continues his search for a beautiful bride. In this journey he faces various situations & conflicts which in turn gives him a chance to revisit his inner core & experience his self discovery. Does Janardhan find his bride or does he attain spiritual path? forms the rest of the story.
Six years after the comedy blockbuster “Kirik Party,” Paramvah Studios is bringing to you yet another comedy adventure which will get you high on humour.
Goldy
“The film IEL is essentially a social commentary, with a generous serving of humour. However, certainly not slapstick but the kind of humour the viewer has to derive himself with its own set of idiosyncrasies. My attempt is to represent serious topics in the garb of comedy, which makes them more digestible"