The story of a young poor aspiring filmmaker who is trying to raise money to make a short film about a man who stops trains while having to deal with family issues such as his mother's illness.
What appears to be a grand love story turns sour when parents-to-be discover that their unborn child will likely be born with serious birth defects, as a result of the mother's exposure to chemical weapons during the Iran-Iraq war. The father does not want to have a disabled child, but the mother insists on going through with the pregnancy.
A young woman tries to deal with the insight that her brother is dying. Shabnam is a photographer and sister of a famous war photographer, Hamed. Just before she goes to a party, she is told that the brother has been injured and is in hospital. Shabnam is dragged into a series of strange events, where the boundary between rus and reality is blurred. The debuting feature film directors are also film and art critics in Iran, Bonakdar himself artist - hardly surprising given the film's strong image awareness. It also has to be overlooked with the bit-wise banal depictions of cocaine scrambling and dangerous men.
Rezvani, the director of a housing cooperative, is demanded by the shareholders to fire Farid Sadri, the contractor and the supervisor of the high-rise towers construction project, who could not manage to bring the construction process to an end on the due time, and find someone else to substitute him...
The doors of the jam produced by a company do not open. In order for them to be able to sell their jam, they reward the one who can open the jam. All the people try to open the door of the jam.
Setareh Asadi (Niki Karimi) is a young girl, who has gone to the house of a Qajar's Prince (Saeed Poursamimi) to be hired for nursing the prince's physically disabled son.... and this is the gate of what the story wants to tell about the society!
