Katharina Dießner

参加作品

The Book of Vision
Second Unit Director of Photography
Eva, a mysterious doctor, searches for an answer to her urgent dilemma as she unravels Dr. Anmuth's Book of Vision. Henry gets involved in her life and is forced to confront his own nature, as Eva faces the biggest decision of her life.
The Stroker
Cinematography
The Stroker refers to the nickname Pilvi Takala received during her two week intervention at Second Home, a trendy co-working space in East London. She went around lightly touching people as part of a cutting-edge well-being programme. The nuances of movements and looks demonstrate how people negotiate 'acceptable behaviour' in the workspace.
Arthur & Claire
Cinematography
The chance meeting of two people at the darkest moments of their lives leads to a bright new beginning : Arthur (around 50) and Claire (around 30) pull each other from the abyss – by trying to save the other they see the worth of their own life.
Great Wall of China
Director of Photography
Bosnia, a summer's day at the country side 20 years after the latest war. Being the only witness of the secret plan of her favorite aunt Ljilja, little Maja takes a major step in her life. The boundaries of her childhood start to break apart.
Reinhardtstrasse
Cinematography
Nadine and Janine share a flat together with their friends Mark and Andreas. The flat share is a universe with its own rules, languages, manners and relationships. A stimulating place, where chaos is floating through corridors and rooms. Pending over everything is the approaching breakup of the community, which becomes more and more perceptible within short moments of silence. One of the flat mates, Janine, is going to leave. Janine's farewell party affects each other of her friends in an different way. A precise description of a fragile structure breaking apart.
Today I Like This Song
Cinematography
Alexandra is spending the weekend at her parents' house. As she arrives at the familiar apartment, nobody's home. Yet successively, the mother, a friend of the family and the father get in. The rooms, which were quite in the beginning, slowly fill up with noises, conversations and activity. Alexandra withdraws from the social world of the family structure repeatedly. Finally, the mother, the father and the friend go to the movies together. Alexandra is left behind by herself.
フライトプラン
Lighting Technician
夫の突然の他界に深く悲しみつつ、幼い娘ジュリアとともにニューヨーク行きの航空機に乗り込んだ航空機設計士の女性カイル。くしくもこの機は、彼女自身が設計した最新型の大型旅客機だった。そんな飛行中の機内からジュリアが姿を消してしまう。どういう訳か乗員乗客の誰もがジュリアを覚えておらず、乗客名簿にすらジュリアの名前はない。周囲から精神状態をいぶかしむ声も上がる中、カイルは必死にジュリアの姿を求める。