Sergey Lando
出生 : 1956-01-16, Rybinsk, USSR (Russia)
略歴
In 1987 he graduated from the Gerasimov Institute of Cinematography as a camera operator. Since 1987, he has worked as a director of photography at Lenfilm, where he shot the films Gisele’s Mania; The Circus Burned Down, The Clowns Are Gone; Backdoor; The Day of the Beast, and others. He has shot a number of documentary films, including Through the Looking-Glass; The Russians Have Left; Farukh and Diana; Three Days and Never Again; Noah; Genius Loci; Ulyana Lopatkina, or Dances on Weekdays and on Holidays; Petersburg Dolls; and others. He has also worked as director and screenwriter of documentary films. He worked as a camera operator for television (for the Kultura channel). Member of the Russian Union of Cinematographers, member of the Russian Guild of Camera Operators; member of Imago, member of the Russian Guild of Non-Narrative Cinema. Professor at the Russian State Insitute of Film and Television since 2001, where he teaches a course in the Cinematography Department for camera operators.
Director of Photography
Film-portrait of documentary filmmaker, photographer and screenwriter Sergei Skvortsov. Sergei Skvortsov was a filmmaker and cameraman at the Leningrad (St. Petersburg) Documentary Film Studio, who shot a number of iconic works that had a noticeable impact on documentary filmmakers in the late 80s - 90s.
Screenplay
Film-portrait of documentary filmmaker, photographer and screenwriter Sergei Skvortsov. Sergei Skvortsov was a filmmaker and cameraman at the Leningrad (St. Petersburg) Documentary Film Studio, who shot a number of iconic works that had a noticeable impact on documentary filmmakers in the late 80s - 90s.
Director
Film-portrait of documentary filmmaker, photographer and screenwriter Sergei Skvortsov. Sergei Skvortsov was a filmmaker and cameraman at the Leningrad (St. Petersburg) Documentary Film Studio, who shot a number of iconic works that had a noticeable impact on documentary filmmakers in the late 80s - 90s.
Director of Photography
At the turn of 80-90, film director Alexei Yurievich German created a film workshop for the first film, which became famous for the paintings of young debutant directors, who later became famous masters. The film tells about how the Master selected talented directors, helped them take the first step and find themselves in the cinema. The TV version of the film.
Camera Operator
The film is dedicated to a unique artistic phenomenon—the work of musician Oleg Karavaichuk, who with great strength embodied the understanding of “The Spirit of St. Petersburg” in our time. About this film composer who wrote music for more than 100 movies, and the creator of virtuosic piano, improvisations, Dmitry Shostakovich said, “Karavaichuk is not a talent; he is a genius.” This is how he was discussed, as the last musical genius, in June 2016, when Oleg Karavaichuk passed away. The next year, 2017, he would have turned 90 years old.
Director
The film is dedicated to a unique artistic phenomenon—the work of musician Oleg Karavaichuk, who with great strength embodied the understanding of “The Spirit of St. Petersburg” in our time. About this film composer who wrote music for more than 100 movies, and the creator of virtuosic piano, improvisations, Dmitry Shostakovich said, “Karavaichuk is not a talent; he is a genius.” This is how he was discussed, as the last musical genius, in June 2016, when Oleg Karavaichuk passed away. The next year, 2017, he would have turned 90 years old.
Camera Operator
This film is about Oleg Karavaichuk, eccentric musical genius and famous St. Petersburg composer, who takes his final stroll through Komarovo, a bay-side summer community just outside St. Petersburg where he spent his whole life and wrote most of his works. His final piece, “The Komarovo Waltz”, unveiled here for the very first time, was written as a tribute to the place. The film is the reclusive composer’s eulogy to the community. It also serves as Karavoichuk’s farewell to audience as well as his last address and reminder of things that are truly important – love for your fellow man and virgin nature.
Director of Photography
Everyone knows that Perm is a theater and ballet city. Here is the famous opera and ballet theater, the famous ballet school, whose graduates dance at the best stages of the world, and grateful, understanding and appreciating art public. But, probably, not everyone knows that all this began in the difficult years of the Great Patriotic War, when the Kirov (now the Mariinsky) theater and the Vaganovo Ballet School were already evacuated from Molotov, which was already practically blocked by the fascists of Leningrad, to the city of Molotov (then Perm was called). Then this evacuation novel, which continues to this day, began
Director of Photography
Director of Photography
The main character of this one - Antonina - a wife, mother, mistress of the house, wakes up after an unusually bright dream and realizes that she has not lived her whole life as she wanted. There were strangers around, people she didn't like, and it wasn't her life at all. She realizes this so clearly that even at the funeral of her own husband, Antonina does not cry, is not killed, and it seems that this death does not concern her at all. And this is despite the fact that my husband lived a long and prosperous life...
Director of Photography
Camera Operator
When the war, going somewhere far away, becomes ordinary, you begin to notice it only when it comes to the house, killing and mutilating the young and the best. The hero of the film, who has returned from the Chechen war as a cripple, rejects his former lover, who fiercely seeks his disposition, and it is not clear what motivates her - a sense of duty to the defenseless or a sincere love that suddenly flared up.
Director of Photography
A school teacher wasn't expecting to find a dead man corpse in her apartment during a party.
Director of Photography
A film director Nikolai Khudokormov is on the brink of his 50th anniversary. He has the whole life rich in events under his belt: creative quests, several marriages and children. Now he has to live with an old insane Mother and seems to be indifferent to what is going on around. But at the same time he is obsessed by the idea to make a film which will be his best one. Nikolai makes every effort to raise the money for this project. And all the time he is followed by a mysterious stranger. She is a beautiful young creature who speaks to him about the vanity of the world and the meaningless of a human life. Finally, Nikolai realizes that he is speaking to the Death herself.
Camera Operator
Alexander Birgukov shot and killed his two commanding officers. He was sentenced to death but when it was alleged that one of his victims had sexually harassed him, his sentence was commuted to life in prison. Tenderly revealing two lives lived in limbo, this film bears witness to the first and final visit of his mother, Lubyov.
Director of Photography
Nikolai Petrovich comes to St. Petersburg to organize a revolution against the oligarchy.
Director of Photography
A detective-dramatic chronicle of love adventures of the famous Russian ballerina Olga Spesivtseva, nicknamed by contemporaries Red Giselle. It was Giselle who immortalized her name in 1924. It was "Giselle" that caused the psychic catastrophe in 1942.
Director
The film is based on a video made by Sergei Lando at the St. Petersburg Recording Studio at the end of March 2009, on the eve of the 200th anniversary of Nikolai Gogol. Literally the next day, Oleg Nikolaevich selected the video material. The film was first shown on April 1, 2009 on Gogol's birthday at the concert "Notes of a Madman" at the DK Lensovet in St. Petersburg. Numerous interested responses from the audience of this concert and their own vivid impressions prompted the Bomb-Peter company to publish this film. This film is not about Gogol, but is dedicated to him: in the intervals of playing the piano, the composer talks about the true roots of the writer's work, about the common fate of the greatest people of art, about the synthesis of music and literature, about eternity and paradoxes.
Camera Operator
The film is based on a video made by Sergei Lando at the St. Petersburg Recording Studio at the end of March 2009, on the eve of the 200th anniversary of Nikolai Gogol. Literally the next day, Oleg Nikolaevich selected the video material. The film was first shown on April 1, 2009 on Gogol's birthday at the concert "Notes of a Madman" at the DK Lensovet in St. Petersburg. Numerous interested responses from the audience of this concert and their own vivid impressions prompted the Bomb-Peter company to publish this film. This film is not about Gogol, but is dedicated to him: in the intervals of playing the piano, the composer talks about the true roots of the writer's work, about the common fate of the greatest people of art, about the synthesis of music and literature, about eternity and paradoxes.
