Dwijen Banerjee

Neem Phul Wants to highlights a scary image of our society. A bad incident can completely distrub our life style and how a lady gets justice is portrayed by by the film.

Benche Thakar Gaan is set in an old age home where Paromita, a young gerontologist lands up leaving a lucrative career as a psychiatrist in the city. In this home, she faces her boss Dr. Partho Sinha, a strict disciplinarian, who has built this home for all those who can afford to live well but are not able to live either with their families or alone due to certain circumstances. According to Dr. Sinha, the inmates are here to spend the sunset years of their lives in peacebut Paromita feels otherwise, she believes there is still a lot to live for in the sunset years too. To Paromita, even the seniors have a right to enjoy, and peace can only come when the mind is happy - - An old age home is not where you are thrown out, but it can be a home where new bonds can be forged even in later years of life. Benche Thakar Gaan or song of life is a positive look at the age which to us is just a number, and its all in the mind.

Sajarur Kanta is about a series of mysterious murders where the quill of a porcupine pierces the heart of the victim, killing him or her instantly. One victim does not die and Byomkesh is summoned. Konkona Sen Sharma plays Deepa, who belongs to a theatre group. She gets married to Debasish but makes it clear that she will not share conjugal relations with him. The two stories, one of Deepa and Debasish's married life and the other of the murder mysteries run parallel till they both converge.

Pendulum is a film about time travel, and how several lives directly and indirectly influence each other lives at a certain point of time.

Rohit, a Gujarati, studies the life of Anthony Firengee, and in the process meets with a mysterious man Kushawl Hajra.

After being rescued by a gangster, Sreelekha gets married to him hoping for a happily married life. However, things take a turn for the worse.

The story of a modern day Aladdin, set against the backdrop of contemporary Calcuttan consumer society.

An adolescent boy named Phoring growing up in a back-of-beyond township in North Bengal. Surrounded by the lush Dooars countryside the town barely survives the shutdown of a factory and its jobless population. Maladjusted and a born loser, Phoring fights the voices in his head he calls God. And then a new teacher ( Doel) arrives in school. Doel opens up his mind to things unknown and just when Phoring starts believing that this is not a dream, Doel disappears abruptly leaving behind a trail of doubt and suspicion. Phoring decides to go looking for her in Kolkata.

Tired of the corrupt Communist regime and its policies, a group of flying humans and black magicians join forces to hatch a conspiracy and wage a guerrilla attack against the totalitarian government and overthrow it.

Rubayet is a 19 year old loner from Kolkata who prefers solitude to the company of his classmates. Little do they know he's a pro at football until Motida, the football coach discovers his potential. Not only does Motida help Rubayet realize his potential but he also reaches out to him and even visits Rubayet's home town to learn about his roots. This he does to try to find out what caused Rubayet to be so withdrawn and reticent. What happens after Motida visits Rubayet's native place, does he manage to help Rubayet? How does this step change Motida's own life?

Sandip Ray's next where 4 ghost stories are spun together in a comical twist surrounding unusual events.The film is a collection of four short films based on four Bengali short stories- Sharadindu Bandyopadhyay's - Bhut Bhabishyat, Satyajit Ray's- Brown Saheber Bari, Anath Babur Bhoy and Lucknow-er Duel.

Cousins Raja and Gaja go to Kolkata to make a new start as they keep getting into trouble, and save Titli's life and welcome her into their home. Thereafter, they also help Titli's problematic family.

A young boy meets a friendly ghost and the impossible became a reality. Based on a story by Shirshendu Mukhopadhyay.

When a superstar, a young director and a theatre actress come together during the making of a film, it changes them forever.

The film revolves around a spoilt daughter of a wealthy kin who meets Abir, a common man and they fall in love with each other. The rest is how they go against all odds to find true love.

When a Kolkata surveillance specialist and his roommate install a small camera in the home of their beautiful neighbor, they somehow become terror suspects in director Buddhadeb Dasgupta's cutting commentary on CCTV society.

Chanchal, a typical soft middle class young Bengali and Calcuttan, not masculine enough and unconfident about the sex and the woman, pays out most of his time finding a suitable girl to prove his credibility as a male. In most of the cases he fails to frame himself as good enough a man to the girls he come across and gets disillusioned on all the occasions. Finally, he almost reaches a beautiful girl to a close proximity, but unfortunately, no sooner had he succeeded to win the girl's attention, he becomes blind in the curse of God.

When a valuable coin is stolen, Shankar Prasad asks Feluda and his friends to investigate.