Julien Momenceau

It’s summer and France is hit by a polar cold. Ten lone and lost souls find each other, a profound meeting as a last chance to hope and fear, to love and dream. Ten tales as tribute to Monet’s Water Lilies, ten tales portraying an impressionist painting of today’s France.

It’s summer and France is hit by a polar cold. Ten lone and lost souls find each other, a profound meeting as a last chance to hope and fear, to love and dream. Ten tales as tribute to Monet’s Water Lilies, ten tales portraying an impressionist painting of today’s France.

Romane and Clemence are between 25 and 30 years old, they are sister and they live together in a big house. They lost her mother in a car crash that caused a disability in Clemence: she cannot walk properly or talk and Romane take care of her daily. A fascinating Corsican man, Romane’s new boyfriend, will come in between them as he feels invested in the duty to help the young girl recover. Their complicity grows up to change the relationship. A film that leads to question the power of sisterhood and of female fascination.

Abel Ferrara headlines a film retrospective and a series of concerts in France dedicated to songs and music from his films. Preparations with his family and friends will form the material of this self portrait, showing another side of the director of legendary films BAD LIEUTENANT, THE KING OF NEW YORK and THE ADDICTION. Ferrara is joined on stage by past collaborators, including composer Joe Delia, actor-singer Paul Hipp and his wife actress Cristina Chiriac for concerts at the Metronum in Toulouse and the Salo Club in Paris in October 2016.

Seven years after the end of the civil war in Sri Lanka, journalist Vanessa Dougnac travels through the North in search of testimonies.

An impressive visual and sonorous experience through the meanders of the Danube, from its delta in the Black Sea to Serbia, in search of the gypsy people (or the Roma) and their music and culture.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.

A famous retired opera singer reunites with her children.