Jason Moran

Charly, a wealthy business woman, must decide whom she can trust when she falls for a sexy bodyguard who might be involved in a plot to assassinate her. Charly relies on seduction to get to the truth when her life is threatened more than once by a mysterious killer. Who could it be? What's their agenda? Will Charly find out before it's too late?

Abby represents her estranged sister in a murder trial. Is her sister guilty or is there a killer on the loose?

An exploration of the nexus of art, race, and justice through the story of art collector and philanthropist Agnes Gund who sold Roy Lichtenstein’s painting “Masterpiece” in 2017 for $165 million to start the Art for Justice Fund to end mass incarceration.

An in-depth look at the prison system in the United States and how it reveals the nation's history of racial inequality.

1965年3月7日、マーティン・ルーサー・キング・Jr.の呼び掛けにより集まった、黒人の有権者登録妨害に抗議するおよそ600名がアラバマ州セルマを出発。だが、デモ行進がいくらも進まないうちに、白人知事は警官隊を動員して彼らを暴力で制圧する。その映像が「血の日曜日」としてアメリカ中に流れたことにより抗議デモはさらに激しさを増し、やがて世界を動かすことになる。＜アメリカ公民権運動が盛り上がりを見せる中、アラバマ州セルマで起きた血の日曜日事件を題材に描く感動作。ノーベル平和賞を受賞したマーティン・ルーサー・キング・Jr.のリーダーシップでデモに集まった人々が警官の投入によって鎮圧されたのをきっかけに、世論が大きく動いていくさまを描く。俳優のブラッド・ピットや人気トーク番組で有名なオプラ・ウィンフリーらが製作を担当。史実を基に描かれる、激動の近代史に心動かされる。＞

For this project Ligon originally intended to re-create the last scene of a 1903 silent film adaptation of the novel Uncle Tom’s Cabin from 1852. In the film, white actors in blackface played the principal roles. Tom, the film's protagonist and a slave, dies in the final scene, and images of the future—including the end of the American Civil War and the emancipation of slaves—materialize behind him. After footage of his reenactment was processed, Ligon discovered that the film was blurred and the imagery had disappeared. Leaving the footage unedited, he added a commissioned score played by the jazz pianist Jason Moran. In the final work, a cinematic scenario deeply intertwined with the complex and painful history of representations of ethnic difference has been transformed into a series of abstract black, white, and gray traces.

Friends meet at the crossroads of loyalty and morality and are forced to decide which path to walk.

An uninterrupted 58-minute capture of the action on an unfenced basketball court adjacent to the Walt Whitman housing projects in Fort Greene Brooklyn, New York.