Sean Tierney

An insightful look at the history of Hong Kong's exploitation cinema, from the early days of the Shaw Brothers and such shockers as "Killer Snakes" through to the advent of the Category III rating in 1988 and then the June 4th massacre in Beijing. The latter led to a panic in Hong Kong, before the Handover of the former UK colony to Mainland China, and a number of motion pictures proceeded to take freedom of speech (and sometimes political symbolism) to the extreme. This is the story of one of the most curious and invigorating periods in exploitation filmmaking.

When a terrorist who specializes in explosives takes hold of an underground tunnel, he threatens to kill hostages if his demands are not met.

Interpol partners with a wealthy entrepreneur to protect a new invention dubbed The Seed of God.

Following his confrontation with the nefarious DOA organization, Ken (Chow Yun Fat) is looking forward to going back to enjoying his retirement. His rest is cut abruptly short when his protégé Vincent (Shawn Yue), who's now working for Interpol, asks for Ken's help in taking down the real mastermind behind DOA, Aoi. The two head to Thailand, where DOA's former chief accountant Mark (Nick Cheung) has escaped with his daughter.

It is said that a corpse should be exhumed and moved every 30 years to ensure continued fortune and prosperity for its descendants. As the time limit is nearing for his grandfather's corpse, TV station boss Kelvin Chow (Kelvin Kwan, Tales from the Dark 2) looks to Charlie Jiang (Yuen Biao), whose ancestors performed the ritual for the Chow family, to complete the task. When Jiang refuses, citing his belief that the ritual is unethical, Chow enlists Nicky and Boo to coerce him into it. However, a series of accidents causes the corpse to be delivered to and left at Chow's TV station, unleashing a bloodbath.