Thomas Meys

参加作品

Quitter la nuit
Post Production Supervisor
The day after a party turned nasty, Dary, Aly and Anna must face the echoes of the violence that transformed all three of them.
Let's Get Lost
Post-Production Manager
Unable to meet all the demands of his job and family anymore, Mathieu feels he's in a mid-life crisis and hurriedly leaves for the forest. His relatives are left by themselves, faced with his sudden departure and their choices.
Plein la vue
Post Production Supervisor
Two repeat offenders sentenced to community work in a learning center for the visually impaired decide to build and coach a blind football team.
After Dawn
Producer
Poland. Separation and distance have hardened Pawel's heart. Or so it seemed to him... Until that rainy afternoon. And that unexpected visitor.
Pasolini
Post-Production Manager
We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.