Catalina Zahri

参加作品

The Night Of The Wild Boar
Claudia
Claudia Moratti, a romantic writer travels to the ends of South America looking for the house of her recently deceased boyfriend. As she enters this southern world she finds herself involved in the investigation of a local policeman that points to her boyfriend, a horror writer himself, as the responsible of seven cases of disappeared women in the area. The violent history of the town and the dark memories of the military dictatorship come to surface as the characters involved reveal their true intentions.
Los Jetas: La revolución es interior
Jechu
Tommy and Manu are two thirty-something hustlers who sell audiovisual projects to major brands. They try to make as much money as possible with little work. They're on the road for their latest venture in Northen Chile which may very well be a dead end.
Much Better Than You
Elisa Herrera
In this urban comedy, Cristobal, a father and businessman, sees how his wife is awarded a scholarship and moves to Spain, wanting to take him and their children along with her. Humiliated by this, he disappears and wanders throughout Santiago looking for sex. After a pathetic night filled with failures, during which he is unable to forget his conflict, the time to chose shall come: either his family or his ego...
Ocaso
Thanks
Rafael, an old butler of a decadent farmhouse, lives with his landlord in that space. He develops a series of actions and daily routines that resume a life and a glorious family past. These actions and gestures will become the only way of sustaining that home and those lives humbled in memory. With the decline of that environment, Rafael will be underdog of his place and his own story, and will be forced to leave in an uncertain trip, towards the last of his possessions.
Seis
Carla
A group of friends meet one summer day to celebrate the arrival of one of them who comes from Mexico and who will bring them together again.
For Rent
Tania
Gastón Fernández has arrived at 34 without too much to show or brag about. He has no money, job, girlfriend, friends or life plan. He's a composer that doesn't compose. The one-time "most likely to succeed" at Santiago's Musical Conservatory has passed from promise to failure. He feels he is beginning to wander alone. Isolated and detached. Gastón feels that everyone judges him and see the word loser tattooed on his forehead. At the same time, an alter-ego, a sort of doppelgänger, haunts him.