[Period covered: 1582-1594]. As the film opens, the warlod Nobunaga Oda rides to Iga Ayanokuni shrine. He is asked if he thinks he has destroyed all the ninja who opposed him and answers that he suspects that there may be more. A servant brings water and tests it first. The paige dies and we hear gunshots as two ninja flee the scene. His suspicions confirmed, Nobunaga oversees the execution of captured ninja and decides that, in the future, he needs a much crueler method of execution. The daimyo Hideyoshi comes to visit.
Returning to the village where a year before he had killed Hirate, a much-admired opponent, Zatoichi encounters another swordsman and former rival in love.
The Fencing Master tells the story of a man trying to survive as the only world he knows is becoming increasingly irrelevant. Danpei Ichikawa lives for swordfighting – he was once a renowned kabuki swordfight choreographer, and as the Chairman of the New National Theatre Company, he wants nothing more than to choreograph the swordfights for the modern plays put on by the company.
Old man
釈迦の生誕から入滅までを壮大なスケールで描いた歴史スペクタクル。世を憂えて修行の道に入ったシッダ太子は、悪魔の誘惑を退けついに悟りを開く。だが彼に嫉妬するダイバ・ダッタは、バラモンの法力を以て、シッダ太子と仏教徒を様々な方法で迫害していくが......。
Daiei Film Company's three biggest stars shine in this exciting story about Vice-Shogun Mito Komon's journey to the land of the Ainu. As the shogun's uncle, Lord Mito traveled about the nation seeking to make sure that corruption and injustice did not go unpunished. Traveling together with his two faithful bodyguards Kaku and Suke, they board ship for a voyage to the far northern island of Ezo (modern day Hokkaido) where the indigenous people called "Ainu" live. Somewhat like American Indians, the Ainu had their own culture which had not been subjugated by the Matsumae clan, rulers of the vast island. A revolt is brewing within the leadership of the Ainu, which threatens to destroy their peaceful lives. The elder lord and his retinue are the only ones who can stop this reign of terror!
井原西鶴の代表作である同名の浮世草子を、市川雷蔵主演で映画化した作品。
但馬屋のひとり息子・世之介は、父親の心配をよそに放蕩三昧。修業先でも金にまかせて女狂い。ついに勘当された世之介は、頭を丸め放浪の旅に出るが、なおも懲りずに、京都随一とうたわれた夕霧太夫を口説き落とす始末。女体遍歴に命を賭けた男・世之介の華麗な一代記。
大映版シリーズの第一作。富士を遠望する大菩薩峠の頂上、机竜之助は居合わせた老巡礼を一刀の下に切り捨てた。御岳山奉納試合で宇津木文之丞の命を奪った竜之助は霧の御坂で剣陣を突破すると、力ずくで手篭めにした文之丞の妻、お浜を伴って江戸へと出奔する。それは竜之助の流浪の旅の始まりだった――。
The film won 1959 Blue Ribbon Awards for best actor Raizo Ichikawa and for best cinematography Kazuo Miyagawa. The film also won 1959 Kinema Junpo Award for best actor Raizo Ichikawa.
