Producer
It is during a night in a post-reconstruction world that a masked call rings out. Cheikh Morad Djadja wanders through these non-places in search of an anonymous telecommunication space. This universe with its illusory and oppressive walls, makes us notice the existence of an abstract space-time in which a trans-identity tries to find a place. #31# (appel masqué) is a proposal halfway between documentary, fiction and installation, exploring the hidden meaning of a coded message, this one coming from a literary/musical genre, the raï.
Producer
'Le cas Perrot' depicts a dreamlike world in a realist manner. It was shot with amateur teenagers in the style of a documentary in order to make fantastical contents seem naturalist. It was hence written and directed adhering to the logic that the brain adopts during sleep.
Producer
A man, that animal which shapes its environment, which also shapes its brain. A fog, a bit harder than the air – the dust of stones. A hexagonal structure, like a monolith of which one dare not ask questions. Two hundred kilometres from Beijing I found a sculpture factory where men lived amidst rocks that were waiting to be broken, cut, polished. The same gestures come back again and again to write a history of deterioration and repair. This history is obliterated in the making of monuments. With the wind that inexorably scatters the traces of these actions.
Producer
“What were you doing last year, when I took this photo from a train passing by your house?”
Producer
Three hyperelectro-sensitive people testify to their daily difficulties in an ultra-connected society.
Producer
In a mountain village in the north of Portugal, a murder occurred. A sixteen-year-old boy leaves the house barefoot, under the cold night, towards the forest. For thirty kilometres he walks, up and down the mountain. He has one single thought in his head.
Producer
In a recycling factory in the north of France the machines dance, the workers join in song, and the truckdrivers almost do a ballet. The film shows the process of recycling by impressive machines and by hand. We hear the noise that accompagnies this process. Slowly the factory noise be- comes a rhythm and a truckdriver starts to sing a song for his love. He wants to build an island with the materials at hand, where they can be together to ‘sort things out ‘. In this crossover between documentary and musical it is the filmmakers aim to merge image and sound in such a way that the one cannot exist without the other. Inspired by the recordings of Alan Lomax and the films of Jacques Tati, the result is a sculptural and informative documentary and at the same time a musical film with a sticky song .
