Gabriela Bussmann

In northern Colombia, a group of queer activists use their extravagance to denounce the disastrous exploitation of the largest coal mine in Colombia through performative actions.

After four years of the Trump administration, Jonathan Katz, a Jewish activist from New York, travels across the American Midwest to support the presidential candidacy of Bernie Sanders. Committed body and soul to a revolution through the ballot box, his deepest convictions are shaken. While it is the last campaign for him, as it is for Bernie, he meets a new generation of activists for whom it is the first.

Between the walls of a prison, a man takes his time: cleaning the floor, drinking tea and telling his story. He remembers his childhood in his homeland and the sea where he grew up. Salah El Amri offers a disturbing perspective on the deprivation of freedom, through a man’s words recorded with striking temporality and chiaroscuro.

In summer, the Portuguese countryside is ravaged by fires. Otilia struggles between her job as a pool cleaner and the need to take care of her mother alone. Stunned by this suffocating daily life, the flames awaken in her solitude, despair and the desire to escape.

In an anonymous city, a person collapses, appearing to have lost consciousness. Some strangers pass by, others embrace her. In a solitary quest for intimacy, blinded by a world of indifference, her gaze, her body are staggering.

Is parenthood the only logical continuation of every life? Has the traditional concept of the nuclear family had its day? The filmmaker has achieved what many women in a comparable situation think about but never actually do. In the film, based on her daughter's procreation story and with the help of a sperm donor, Marina Belobrovaja deals with existing social ideas, role patterns and conventions around parenthood and family.

Within this community, still subject to hostile demonstrations, SUPREME highlights gestures of tenderness, desire for love and reconciliation through three characters: endearing, beautiful, extroverted and fragile all at once.

From the coast of the Atlantic to that of the Mediterranean, the director meets women whose faces recount ruined hopes. Grief finds an element of painful meditation in the movement of the waves.

Viviana and Yandris weave red and yellow yarn into bags. In the distance we hear the hammering of machines, the wail of sirens and the thunder of explosions.

Viviana and Yandris weave red and yellow yarn into bags. In the distance we hear the hammering of machines, the wail of sirens and the thunder of explosions.

It's the first time Adrien is entering a homosexual sauna. In the space of one night, he discovers this microcosm where the comic aspect of the individual tragedies encounters the passing of time and where hope mingles with melancholy.

Russian Federation, December 31, 1999. After President Boris Yeltsin's unexpected resignation, Prime Minister Vladimir Putin becomes acting president of the country. From that day and for a year, Vitaly Mansky's camera documented Putin's rise to power. The story of a privileged witness. The harsh explanation of the reason why politics is the art of possibility of achieving the best with the support of many, but also of giving the worst in return.

Sarah, a disabled girl aged about twenty, lives with her parents. She is increasingly subject to many fantasies and sees her sexuality taking up more and more of her attention. The arrival in the house of a new cleaner, Victoria, a transsexual woman, will upset the family balance.

An impressionistic journey that reveals the daily struggle of the hungry peasant class.