Mihail G. Livada

Mihail G. Livada

出生 : 1920-01-01,

死亡 : 1992-01-01

略歴

Mihail Livada was born in Romania. He was an engineer who also studied music at the Academy of Bucharest. Livada moved to Sweden during World War II and worked as a photographer, as a teacher at the University College of Arts Crafts and Design and as an instructor at the Film Workshop. In 1950 Mihail Livada filmed ‘The white hands’ with Rut Hillarp. The same years he was one of founders of the Swedish Experimental Film Society, later called The Independent Filmgroup and from 1972 Filmform.

プロフィール写真

Mihail G. Livada

参加作品

Iris
Iris
Cinematography
Poetic film about Iris in different meanings.
The Poet, the Spider and the Hand
The Poet, the Spider and the Hand
Director
A typical experimental film from the forties, based on a surrealistic fable by the French writer J.Cl. Lambert. In this film, colour is used for a dramatic purpose, as a storytelling element. (filmform)
The White Hands
The White Hands
Editor
"The White Hands" - 'I came to film in my capacity of poet, wanting to see whether I could express myself in pictures rather that in words-create a film poem. Not a traditional piece of lyric but something that suggests and hints and transmits its content even though it may not be comprehensible in a logic sense'. This is how Rut Hillarp described her film interpretation of the legend of Tristan and Isolde. She borrowed this classical theme from her collection of poetry The False Farewell. The White Hands is an attempted surrealistic visualization of a poem, using symbolic image sequences
The White Hands
The White Hands
Director
"The White Hands" - 'I came to film in my capacity of poet, wanting to see whether I could express myself in pictures rather that in words-create a film poem. Not a traditional piece of lyric but something that suggests and hints and transmits its content even though it may not be comprehensible in a logic sense'. This is how Rut Hillarp described her film interpretation of the legend of Tristan and Isolde. She borrowed this classical theme from her collection of poetry The False Farewell. The White Hands is an attempted surrealistic visualization of a poem, using symbolic image sequences
The Wonderful Rendez-Vous
The Wonderful Rendez-Vous
Camera Operator
A man visits a woman, speaks, smokes, eats fruit and walks out again. Clothes appear on hangers before they one by one disappear. There is a sense of disgust surrounding the actions and the actual meeting.
The Wonderful Rendez-Vous
The Wonderful Rendez-Vous
Director
A man visits a woman, speaks, smokes, eats fruit and walks out again. Clothes appear on hangers before they one by one disappear. There is a sense of disgust surrounding the actions and the actual meeting.