Anouk Deschênes

EXT. DAY - A sunny Sunday morning on a café terrace: Isabelle, an actor whose career is in a rut, meets Johanne, her agent, who might have a new part for her. Tension mounts both at the table and in the surroundings. Will expectations be met?

The evening of his break-up with Cath, Sam is victim of an inexplicable phenomenon where he loses consciousness for few hours later. Could his heartbreak be related to the hypothesis of an alien abduction?

Afflicted by various ailments and symptoms, François, Suzanne and Lorraine adapt or take refuge, challenged by the torments imposed by electrohypersensitivity.

Co-directors Hubert Caron-Guay and Serge-Olivier Rondeau follow migrant workers through the steps in the hiring process of a community-based employment assistance organization. The filmmakers highlight the migrants’ difficult path by capturing conversations between the future employees and the recruiters. Through images shot on a body camera and a minimalist observational approach, the film exposes harsh and poignant realities. It draws parallels between the changing of the seasons and the cycle of the cattle industry that begins with animals being raised and cared for at a ranch and ends with them being sent to the abattoir grimly looming in the background. Ressources is a sobering and thought-provoking work that gives a voice to those who are at the heart of the food system that sustains this country.

See You Garbage! is a dramatic comedy that resembles a revolutionary tale. An attempt to explore the encounter between the well-coated contempt of the political class and a sudden awareness of its people.

Mohamed is a hardened shepherd living in rural Tunisia with his wife and two sons. Mohamed is deeply shaken when his oldest son Malik returns home after a long journey with a mysterious new wife. Tension between father and son rises over three days until reaching a breaking point.

IDFA and Canadian filmmaker Peter Wintonick had a close relationship for decades. He was a hard worker and often far from home, visiting festivals around the world. In 2013, he died after a short illness. His daughter Mira was left behind with a whole lot of questions, and a box full of videotapes that Wintonick shot for his Utopia project. She resolved to investigate what sort of film he envisaged, and to complete it for him.

Alexe is a young trans woman, and Carl a gay man. Best friends since forever, an evening spent together destabilizes Alexe, when both decide to have sex together for the first time.

A young man meets another one in a bar and their relationship winds up in a one-night stand. But under the sheets, it may be when skins touch that loneliness is the deepest. Through this fleeting maelstrom of flesh and men that are all alike, each one seeks to be someone.