Unit Production Manager
War seen through the eyes of Serra, a university student from Palermo who volunteers in 1942 to fight in Africa. He is assigned to the Pavia Division on the southern line in Egypt. Rommel and the Axis forces are bogged down; it's October, the British prepare an offensive. At first, boredom, heat, hunger, and thirst bedevil the Italians; then the Brits attack, and there's no luck or heroism in death. Finally, it's retreat in confusion. Serra, his sergeant Rizzo, and his lieutenant Fiori take a last walk toward home. It's said that each soldier gets three miracles; when Serra's are used up, what then?
Writer
Episodic, globe-trotting quasi-mondo focused on women of the East.
First Assistant Director
Dubrowsky (Italian: Il vendicatore) is a 1959 Italian- Yugoslav historical period drama film directed by William Dieterle. It is based on the novel Dubrovsky by Alexander Pushkin.
Screenplay
A woman falls in love with a race-car driver who two-times her for another girl.
Writer
A rich merchant, Antonio is depressed for no good reason, until his good friend Bassanio comes to tell him how he's in love with Portia. Portia's father has died and left a very strange will: only the man that picks the correct casket out of three (silver, gold, and lead) can marry her. Bassanio, unfortunately, is strapped for cash with which to go wooing, and Antonio wants to help, so Antonio borrows the money from Shylock, the money-lender. But Shylock has been nursing a grudge against Antonio's insults, and makes unusual terms to the loan. And when Antonio's business fails, those terms threaten his life, and it's up to Bassanio and Portia to save him.
Story
Document Z-3 (Italian:Documento Z-3) is a 1942 Italian spy film directed by Alfredo Guarini and starring Isa Miranda, Claudio Gora and Luis Hurtado. It was one of three Miranda films directed by Guarini that helped re-establish her in Italian cinema following her return from a largely unsuccessful spell in Hollywood. Many critics were not impressed with the film, feeling that Miranda had not recovered the spontaneity of her pre-Hollywood films. This is considered the first movie in which Federico Fellini has worked as a screenwriter.
