Screenplay
Fred, a commercial director, decides to learn the flute to relieve his stress. His music teacher is none other than Isabelle, a flutist he once saw playing in the subway. He falls under her charm.
Director
Fred, a commercial director, decides to learn the flute to relieve his stress. His music teacher is none other than Isabelle, a flutist he once saw playing in the subway. He falls under her charm.
Director
A 40-year-old mechanic whistles at a passing teenager; she stops and upbraids him. In embarrassment, he claims he was whistling at her companion, her 14-year-old cousin, Isabelle. This changes Isabelle's outlook on life: her favorite story is Anderson's "Little Mermaid," and she thinks that in Georges she's found her prince. She follows him, engages him in conversation, and turns up at his flat. At first, he pushes her away and tells her she's nuts, but slowly he finds that she brings out of him a playful self, and he likes her devotion. The attraction builds, threatening Georges' adult relationships, including that with Nelly, his sweetheart. Where on earth can this affair lead?
Director
Adolescent French suburban lower-middle-class nerd Marc Morel was happy being the teacher's pet and school representative in a Latin competition. Until he meets and instantly falls in love with fatherless semi-illiterate shop clerk and ditto-daughter Martine Pérez. As his overbearing father Robert feared, stripling hormones run wild at the expense of academic future-building, but paternal authority is overruled by 'young love', which even yields peer-acceptance. Cool big brother Christian, a photographer, tries a more understanding approach, but even that runs into trouble.
Director
In this drama, a Louisiana black man has brought his family to Los Angeles to fulfill his dream of opening his own bakery. For him, it was a great gamble as he had no credit, and little money. Still, he manages to get the bakery going. Unfortunately, the business is not able to sustain itself and the fellow is forced to close it down and take a sanitation job.
Director of Photography
"Director Yolande du Luart had been involved in Lettrist circles in France before decamping for California to study film at UCLA, where her classmates included Charles Burnett and Haile Gerima. During this time, UCLA professor Angela Davis was a subject of increasing scrutiny after coming out as a Communist, provoking the ire of administrators and governor Ronald Reagan. Believing that Davis would be an ideal film subject, du Luart immediately began making a documentary, though she would ultimately return to France to complete the project after receiving unwanted attention from the FBI. “Over the course of events,” writes Nicole Brenez, “this appreciative and sensitive portrait of a politically engaged philosopher had been transformed into a call for the liberation of an imprisoned activist and an internationalist revolutionary manifesto.”" - Film at Lincoln Center
Director
Documentary about the West Coast Black Panthers, the deadly crackdown by the FBI and police forces.
