José Luis Ruiz Marcos

Santiago wakes up like any other morning. He goes down to the kitchen and his whole family is waiting for him: it's his birthday. They all sing "Happy Birthday to You" and give him presents. But when he opens the present of his youngest son, he gets angry and says he doesn't like it. The boy starts crying and saying that he loves him, but Santiago answers that he doesn't believe him and he tells the boy that he is fired and that he wants another son, who is thinner, who doesn't need glasses and who resembles him more. Written by Pablo Montoya

The young but traveled Ana arrives in a manor in the countryside of Spain to work as nanny of three girls and finds a dysfunctional family.

A housewife is frequently left alone by her husband in their apartment, as his business requires him to travel. The woman who lives upstairs is also minus her husband, but Sevilla begins to catch occasional lies and half-truths from her upstairs neighbor, which leads Sevilla to think that Shepard has murdered her husband. Sevilla can't quite keep her mouth shut about the matter, however, and despite the fact that her friends think her imagination is running wild, she does not really begin to suspect the danger until it is too late

Miguel is a married architect with children; Blanca, an attractive young woman who has attempted suicide by cutting her veins. The relationship between them develops through continuous persecutions, first of him to her and then to him. In their meetings, they reflect on their empty lives, loneliness, boredom and obsession with death.

Teresa and Peter settle down in their new home after the wedding. Things are going well until her childhood furniture arrives, sending Teresa into horrible flashbacks of turmoil from memories of her youth.

Portabella’s first feature, co-scripted by poet Joan Brossa, became one of the most influential works of the Barcelona avant-garde, although like all his early films, it circulated only in an underground fashion. Eschewing dialogue, the director constructs a non-narrative story in fragments that reveal the daily lives of an adulterous couple interspersed with a cryptic stream of unrelated imagery. The title of this homage to directors including Eisenstein, Antonioni, Bergman, and Buñuel refers to the 29 “black years” of the Franco dictatorship. — chicago.cervantes.es

Set in one-day, three people embark together on a car trip from Madrid to Almeria. Antonio (Cebrián) is a successful industrialist, however he is dismayed that his personal life does not reflect his glittering career. He is insecure about his faltering marriage to Teresa (Chaplin), whom he believes is having an affair with his best friend, Antonio (Galiardo).

Matilde is a former prostitute who gets married to an american soldier with an uncertain future, due to the possibility of being recruited to the Vietnam War.

After seeing that Nelson kisses his lover, Barlow poisons him. But it turns out that Nelson comes back to life when he was about to be buried. From that moment, Barlow does not stop chasing him to finish his work.

After killing his girl friend, Ana, Amador (a dark and strange man) joins his family (which he can't stand) in Torremolinos, where he gets involved in the assassination of a foreigner woman. It is also in Torremolinos, where Amador meets Laura, a woman who falls in love with him...

After spending ten years in prison for a crime he did not commit, John is free. He is determined to kill Luis "The Twisted", which believes that is the blame for his misfortunes, but as he needs money, he has no choice than to work for their enemy.