Assistant Director
Santiago wakes up like any other morning. He goes down to the kitchen and his whole family is waiting for him: it's his birthday. They all sing "Happy Birthday to You" and give him presents. But when he opens the present of his youngest son, he gets angry and says he doesn't like it. The boy starts crying and saying that he loves him, but Santiago answers that he doesn't believe him and he tells the boy that he is fired and that he wants another son, who is thinner, who doesn't need glasses and who resembles him more. Written by Pablo Montoya
Assistant Director
Анна, молодая иностранная гувернантка, приезжает в загородный дом в скучном районе под Мадридом. Её встречает хозяйка дома Лучи, о трёх дочерях которой предстоит заботиться Ане. На семейном ужине Ана знакомится со своими эксцентричными нанимателями. В семье три брата средних лет (Хосе, Хуан и Фернандо), их больная мать, Лучи, жена Хуана, и их дочери. Ана начинает получать эротические письма, подписанные неизвестным обожателем, желающим быть с ней. Их доставляют из отдалённых мест, которые становятся всё ближе...
Director
Assistant Director
Марта проводит дни в одиночестве, пока ее муж находится в командировке. Со временем ее начинают пугать шаги, раздающиеся каждую ночь с верхнего этажа. Соседка пытается убедить ее, что эти шаги принадлежат ее мужу, когда он возвращается с работы. Но Марта не верит этому и начинает собственное расследование.
Assistant Director
Miguel is a married architect with children; Blanca, an attractive young woman who has attempted suicide by cutting her veins. The relationship between them develops through continuous persecutions, first of him to her and then to him. In their meetings, they reflect on their empty lives, loneliness, boredom and obsession with death.
Assistant Director
Teresa and Peter settle down in their new home after the wedding. Things are going well until her childhood furniture arrives, sending Teresa into horrible flashbacks of turmoil from memories of her youth.
Assistant Director
Portabella’s first feature, co-scripted by poet Joan Brossa, became one of the most influential works of the Barcelona avant-garde, although like all his early films, it circulated only in an underground fashion. Eschewing dialogue, the director constructs a non-narrative story in fragments that reveal the daily lives of an adulterous couple interspersed with a cryptic stream of unrelated imagery. The title of this homage to directors including Eisenstein, Antonioni, Bergman, and Buñuel refers to the 29 “black years” of the Franco dictatorship. — chicago.cervantes.es
Assistant Director
Set in one-day, three people embark together on a car trip from Madrid to Almeria. Antonio (Cebrián) is a successful industrialist, however he is dismayed that his personal life does not reflect his glittering career. He is insecure about his faltering marriage to Teresa (Chaplin), whom he believes is having an affair with his best friend, Antonio (Galiardo).
Assistant Director
Assistant Director
Matilde is a former prostitute who gets married to an american soldier with an uncertain future, due to the possibility of being recruited to the Vietnam War.
Assistant Director
After seeing that Nelson kisses his lover, Barlow poisons him. But it turns out that Nelson comes back to life when he was about to be buried. From that moment, Barlow does not stop chasing him to finish his work.
Production Manager
After killing his girl friend, Ana, Amador (a dark and strange man) joins his family (which he can't stand) in Torremolinos, where he gets involved in the assassination of a foreigner woman. It is also in Torremolinos, where Amador meets Laura, a woman who falls in love with him...
Assistant Production Manager
Assistant Production Manager
Хуан Диас возвращается в родную деревню после окончания тюремного срока за убийство, которого он не совершал. Его сестра Андреа убеждает его отомстить брату убитого Луису, показания которого отправили Хуана в тюрьму. В свою очередь, мать Луиса заставляет своего сына отомстить за смерть брата. Вынуждаемые к смертельной вражде молодые люди, тем не менее, вынуждены на время объединиться – ведь приближается время жатвы, дающей поденным рабочим возможность заработать. Однако в деревенской артели не хватает рабочих рук, и там очень надеются на помощь молодых и сильных Хуана и Луиса. Вместе с ними на заработки отправляется и Андреа…