Martiros Vartanov

略歴

When Tarkovsky inscribed and sent his child's drawing to the imprisoned Paradjanov, who annotated and forwarded it to the blacklisted Vartanov for his newborn son Martiros, his journey in arts began. He escaped to Hollywood and graduated from UCLA where he made his first film, entitled The Last Film, which was released by Criterion. He has also served as a juror and a curator at festivals in Beverly Hills, Busan and DOC LA, and worked on the restoration of the masterpiece The Color of Pomegranates selected for Festival de Cannes.

参加作品

The Last Film
Director
A film about a film where a film was made, but the lead actress vanished from celluloid.
Parajanov: The Last Spring
Screenplay
Made in wartime and edited in candlelight, Mikhail Vartanov's rarely-seen masterpiece tells about his friendship with the genius Sergei Parajanov who was imprisoned by KGB "at the peak of his artistic power". Vartanov takes us back with the scenes from his censored 1969 film The Color of Armenian Land where Paradjanov is at work on his suppressed chef-d'oeuvre The Color of Pomegranates - widely regarded as one of the greatest films of all time - and contrasts it with the shocking request Parajanov sent him in unpublished 1974 letters from the Soviet prisons. Vartanov's camera documents Parajanov's striking last day at work in 1990 during the making of the unfinished Confession. A monumental wordless montage - the entire sixth reel - concludes Vartanov's acclaimed documentary, which, despite the prohibitive conditions it was created in, won the admiration of many of cinema's greatest artists, including Francis Ford Coppola and Martin Scorsese.
The Color of Pomegranates
Thanks
The life of the revered 18th-century Armenian poet and musician Sayat-Nova. Portraying events in the life of the artist from childhood up to his death, the movie addresses in particular his relationships with women, including his muse. The production tells Sayat-Nova's dramatic story by using both his poems and largely still camerawork, creating a work hailed as revolutionary by Mikhail Vartanov.