Konstantin Pakhotin
出生 : 1970-02-25, Omsk, USSR (Russia)
Production Design
Grigory, the son of an oligarch, is fully rehabilitated after his humbling experience as a 19th-century serf. Moreover, he develops a strong sense of moral justice. When he meets a pampered young socialite named Katya, he is abhorred by her insolent escapades. Grigory transports Katya “back in time” to teach her a valuable lesson about humility.
Production Design
The love story of the son of Imam Shamil Jamalutdin and Lisa Olenina against the backdrop of the dramatic events of the military history of Russia in the first half of the 19th century. Jamalutdin went down in history as a "great hostage", and the film is an attempt to answer the question: a hostage of big politics or big love. The historical context of the decline of the Nikolaev era, against which the story of love and betrayal, honor and duty, service to the motherland and loyalty to this word unfolds, will become the key to the film.
Production Design
1941年10月。ロシアに侵攻したドイツの大軍は、モスクワを目指し進撃を続けていた。首都が陥落すれば、ソ連の敗北とナチスの勝利が決定的になる。モスクワを死守するため、兵力不足のソ連軍は訓練中の学生兵を戦場に送ることを決断。ポドリスク兵学校士官候補生のラヴロフやディミトリ、看護師のマーシャたち3,500名が、イリンスコエ防衛ラインに向かう。任務は、増援部隊が到着するまで敵を食い止めること。だがそこは、戦場を初めて踏む若者たちにはあまりに苛酷な、地獄の最前線だった…
Production Design
The Trifonov family lives in a small town. Vladimir, Nadezhda and their two sons Romka and Pashka. Once Pashka with a group of factory workers goes to Moscow on an excursion. After his return, the parents notice that the son has become more withdrawn, taciturn, often absent somewhere. The parents soon find out that the son is dating a woman fifteen years older than him. And the chosen one also has three children. Parents begin to fight for their son, crushing and breaking the newly born love. But, after a while, both realize what a terrible mistake they made.
Production Design
第2次世界大戦下、ソ連の新米士官イヴシュキンは初めて出た前線の戦いで敗れ、ナチス・ドイツ軍の捕虜となってしまう。イヴシュキンが戦車の指揮をしていたことを知った敵軍は、収容所で行われているナチスの戦車戦演習のため、ソ連軍の戦車T-34の操縦をイヴシュキンに命じる。しかし、与えられたT-34は実弾を装備せず、演習では敵の砲火から逃げ惑うことしかできない。確実に死が待ち受ける演習を前に、T-34の整備を命じられたイヴシュキンは、仲間とともに無謀な脱出計画を立て、実行に移す。＜第2次世界大戦時、ナチスの捕虜になったソ連兵が、たった4人の味方と一台の戦車で敵の軍勢に立ち向かう姿を描いたロシア製戦争アクション。「太陽に灼かれて」の名匠ニキータ・ミハルコフが製作を務め、撮影にはT-34の本物の機体を使用した。＞
Production Design
Production Design
Igor Tsaplin wants to be elected for a third term and PR team already familiar to us will help him.
Production Design
第1次世界大戦中の1917年、ロシアで二月革命が勃発。帝政ロシアに代わる臨時政府が樹立されて、国政は混乱を極め、さらには、ドイツ軍の猛攻の前に、ロシア軍は壊滅的な状況へと追い込まれていた。そんな苦境のさなか、貴族や学生、労働者など、さまざまな階級・身分の女性たちが、自ら志願して婦人部隊を結成。隊長マリアの猛特訓の下、一丸となった彼女たちは戦場へと送られ、ドイツ軍を相手に決死の戦いを繰り広げる。
Production Design
A love story set during the Napoleon War in Russia.
Production Design
Two young Russian historians are going to Ukraine to take part in the reconstruction of the Lvov-Sandomierz operation in July 1944. On sight they fall into conflict with Ukrainian nationalists, and some magical twist of fate, move into the middle of real warfare from more than 60 years. Miraculously avoiding death at the hands of Ukrainian nationalists, caught in the middle of fighting between the Red Army and the Nazis.
Production Design
A story of love between a young soldier Sergey and a fellow officer Anna.
Production Design
Detective story set up in the time and place of young Pushkin, at Tsarskosel'sky Liceum.
Production Design
In the near future, writer Victor Banev gets himself on a UN commission to investigate what's going on in the remote town of Tashlinsk, where reports tell of a virus-created race of brainiac mutants. Banev's tween daughter Ira is enrolled at a school for gifted children which has been taken over by the mutants, who have grown to despise ordinary humanity.
Art Direction
Sergei and Simon have to deliver a suitcase full of heroin to Mikhalych or else they will be killed. There is one minor detail: the only problem-solving technique they are familiar with is a shot in the head.
Production Design
A former white officer, and now an employee of the NKVD, martial artist Viktor Spiridonov meets the disgraced Soviet intelligence agent Vasily Oshchepkov, who studied judo in Japan for a long time. They quickly find a common language, because both are obsessed with the idea of \u200b\u200bcreating a national art of self-defense. But the joint work soon turns into an irreconcilable confrontation. Intrigues, betrayal, emotions will predetermine the tragic fate of the two great creators of sambo.
