Felix Andrew

新鋭パーカー・フィン監督が低予算で撮り上げた、注目の傑作サイコホラー。錯乱した患者が自害し、ペットは無惨に死に、人々は笑顔を浮かべて豹変する。そんな事態に見舞われた美しき精神科医の体験を描く。

Follows a young boy who runs away from home in the search of his estranged mother.

On the rocky path to sobriety after a life-changing accident, John Callahan discovers the healing power of art, willing his injured hands into drawing hilarious, often controversial cartoons, which bring him a new lease on life.

Two brothers and their wives meet up at a haute-cuisine restaurant to discuss what to do about a horrific crime that their sons committed together. As the quartet debate their options, the conversation reopens old wounds between the siblings.

富士山の麓に広がる青木ヶ原樹海。自殺の名所としていまや海外にも広く知られたこの地に、アメリカからはるばるやって来たアーサー。森の奥深くでひとり静かに睡眠薬を飲んで自殺するつもりでいた彼だったが、そこへふと、森からの出口を求めてさすらうひとりの日本人男性が、すっかり憔悴し切った姿で出現。やむなくアーサーも男と一緒になって出口を探すが、一向に森から抜け出すことができず、2人はさまよい続けるはめに。

Evicted from his squat and suddenly alone on the streets, George is a man without a home. Struggling with his demons and desperately trying to connect with the daughter he abandoned, he navigates the system, hustling for change and somewhere safe and quiet to gather his thoughts. But the streets are relentless and soon, George finds himself teetering on the edge, alone and abandoned.

A New Yorker moves to Los Angeles in order to figure out his life while he housesits for his brother, and he soon sparks with his brother's assistant.

アメリカで、同性愛者であることをカミングアウトして公職に就いた初めての人物、ハーヴィー・ミルク。波乱万丈の短い人生を送った彼の、最後の8年間に何があったのかを、ガス・ヴァン・サント監督が描き出す。

Fueled by a raging libido, Wild Turkey, and superhuman doses of drugs, Thompson was a true "free lance, " goring sacred cows with impunity, hilarity, and a steel-eyed conviction for writing wrongs. Focusing on the good doctor's heyday, 1965 to 1975, the film includes clips of never-before-seen (nor heard) home movies, audiotapes, and passages from unpublished manuscripts.

Behind the scenes documentary of Gus Van Sant's "Paranoid Park." Felix Andrew: director, cinematographer, editor. Dane La Chiusa: titles and original drawings. Joel Shelton, composer. Additional music: "Songs" by Ethan Rose, "Sangue de Bairro" by Chico Science e Nacao Zumbi. Made in 2006. Length: 27 minutes

Behind the scenes documentary of Gus Van Sant's "Paranoid Park." Felix Andrew: director, cinematographer, editor. Dane La Chiusa: titles and original drawings. Joel Shelton, composer. Additional music: "Songs" by Ethan Rose, "Sangue de Bairro" by Chico Science e Nacao Zumbi. Made in 2006. Length: 27 minutes

Behind the scenes documentary of Gus Van Sant's "Paranoid Park." Felix Andrew: director, cinematographer, editor. Dane La Chiusa: titles and original drawings. Joel Shelton, composer. Additional music: "Songs" by Ethan Rose, "Sangue de Bairro" by Chico Science e Nacao Zumbi. Made in 2006. Length: 27 minutes

The jet set life of artist Nikki S. Lee.

Behind-the-scenes documentary of Gus Van Sant's "Last Days."

Behind-the-scenes documentary of Gus Van Sant's "Last Days."

Behind-the-scenes documentary of Gus Van Sant's "Last Days."

Behind-the-scenes documentary of one morning on the set of "Gerry" directed by Gus Van Sant.

Behind-the-scenes documentary of one morning on the set of "Gerry" directed by Gus Van Sant.

Behind-the-scenes documentary of one morning on the set of "Gerry" directed by Gus Van Sant.

Several ordinary high school students go through their daily routine as two others prepare for something more malevolent.

Two friends named Gerry become lost in the desert after taking a wrong turn. Their attempts to find their way home only lead them into further trouble.

At the beginning of the twenty-first century, abstraction - that most quintessentially modernist innovation - maintains a peculiarly contradictory position. Used, on one hand, by post-modernist artists as just one more quotable style amongst many, it is on the other hand still considered an elitist or hermetic language by audiences intimidated by its lack of recognizable subject matter. Yet ultimately, abstraction continues to be a viable creative path for contemporary artists of all generations, many of whom embrace it as the most inclusive and fundamentally resonant of artistic languages. Filmed at the artists' studios, the Dia Center for the Arts, and the Guggenheim Museum during their exhibition, "Abstraction in the Twentieth Century."

Danny, dying of AIDS, returns home for his last months. Always close to his mother, they share moments of openness that tend to shut out Danny's father and his sister.

A young English author is having trouble finishing his latest work. He needs to "avoid distractions, particularly of the female kind." To achieve this, he tries to find a quiet place in Italy to write. However, he is continually beset by beautiful nude or scantily dressed women, played by several well-known (super)models.