Judith Paris

1919年。廃墟と化したパリのオペラ座で、かつての栄華をしのばせる品々がオークションにかけられる。時はさかのぼり1870年代。全盛期のオペラ座は大勢の客でにぎわう一方、仮面の怪人“ファントム”の出没で、人々が不安に陥っていた。そんな中、若きコーラスガールのクリスティーヌは、ファントムを自分の“音楽の天使”と信じて敬う。やがて彼女はファントムのおかげでチャンスをつかみ、一躍スターとなる。

Hell on Earth is an hour-long documentary presented by Mark Kermode. It's about Ken Russell's 1971 film, The Devils which is one of the most controversial films ever made. Kermode chats to Russell as well as two of the films stars Georgina Hale and Murray Melvin. Also included are scenes that were cut from the released film for being too controversial.

Yowler, the last dragon on Earth is in terrible danger. His arch enemy, the Dark Knight, has returned. Only young John McGowen can save him...

Made by Carlton Television for ITV (UK) , this adaptation of Laurie Lee's autobiographical novel follows a young man's maturation in the country town of Gloucestershire near the end of World War I. As young Laurie (Dashiell Reece) comes of age under the protective eye of his mother (Juliet Stevenson), he learns to live with an eccentric collection of friends, neighbours, and relatives. As he enters his teenage years, Laurie (now played by Joe Roberts) discovers women, specifically Rosie Burdock (Lia Barrow). Veteran screenwriter John Mortimer adapted Lee's book, with Lee narrating.

Alan Bleasdale's modern re-telling of Madame Bovary. A tale of passion, greed, revenge, and of course pleasure, set in France. Starring Line of Duty's Adrian Dunbar, Jennifer Ehle and James Larkin. In the French city of Rouen, the beautiful, young but bored Emma seeks to escape her dull married life. Her dreams are answered, and her comfortable, peaceful existence soon tarnished when she answers a lonely-hearts ad. She meets Gustave, a unsuccessful toy salesman, and potential con man. Together they begin a passionate affair, where they indulge in illicit sex and illegal scams. But parallel to their exhilarating affair, the police are on the hunt for a mysterious masked robber known only as Le Terroriste. As the stakes rise, and a betrayal means Emma finding herself alone, her own talents for deception develop into an overwhelming and obsessive desire for her to get her revenge.

Ken Russell's rather loose adaptation of the last part of D.H. Lawrence's "The Rainbow" sees impulsive young Ursula coming of age in pastoral England around the time of the Boer War. At school, she is introduced to lovemaking by a bisexual physical education instructress. While experiencing disillusionment in her first career attempt (teaching), she has an affair with a young Army officer, who wants to marry her. Unable to accept a future of domesticity, she breaks with him, and eventually leaves home in search of her destiny.

When the TARDIS lands in a quarry on Earth, Sarah unearths what appears to be a fossilised hand, buried in one-hundred-fifty-million-year-old strata. Analysis shows the hand to be silicon-based and inert, but when Sarah begins to act as if possessed, the Doctor suspects that it may still be alive...

The film fictionalizes the real relationship between French sculptor Henri Gaudier and Polish writer Sophie Brzeska, twenty years his senior, who came to Paris, she says, for its “creative atmosphere.”

In 17th-century France, Father Urbain Grandier seeks to protect the city of Loudun from the corrupt establishment of Cardinal Richelieu. Hysteria occurs within the city when he is accused of witchcraft by a sexually repressed nun.

Russell's composer biopics were usually labours of love. This was the opposite: he regarded Strauss's music as "bombastic, sham and hollow", and despised the composer for claiming to be apolitical while cosying up to the Nazi regime. The film depicts Strauss in a variety of grotesquely caricatured situations: attacked by nuns after adopting Nietzsche's philosophy, he fights duels with jealous husbands, literally batters his critics into submission with his music and glorifies the women in his life and fantasies. (BFI Screenonline)

The story of the influential 19th century British poet Dante Gabriel Rossetti and his troubled and somewhat morbid relationship with his wife and his art.