Roman Liberov

On October 25, 1917, construction of a new world began in Russia. One of the foremost workers in this construction was the writer Andrei Platonov. But a bright and fair future, his art and literature were seen by everyone in different ways. Its truth became impossible, and the new world was not built in the way it was conceived. Demanding millions of lives for its existence, a brighter future took the life of the writer’s son, who was arrested at the age of fifteen, and then Andrei Platonov himself. The story of the creation and death of the new world in seven days.

On October 25, 1917, construction of a new world began in Russia. One of the foremost workers in this construction was the writer Andrei Platonov. But a bright and fair future, his art and literature were seen by everyone in different ways. Its truth became impossible, and the new world was not built in the way it was conceived. Demanding millions of lives for its existence, a brighter future took the life of the writer’s son, who was arrested at the age of fifteen, and then Andrei Platonov himself. The story of the creation and death of the new world in seven days.

On October 25, 1917, construction of a new world began in Russia. One of the foremost workers in this construction was the writer Andrei Platonov. But a bright and fair future, his art and literature were seen by everyone in different ways. Its truth became impossible, and the new world was not built in the way it was conceived. Demanding millions of lives for its existence, a brighter future took the life of the writer’s son, who was arrested at the age of fifteen, and then Andrei Platonov himself. The story of the creation and death of the new world in seven days.

On October 25, 1917, construction of a new world began in Russia. One of the foremost workers in this construction was the writer Andrei Platonov. But a bright and fair future, his art and literature were seen by everyone in different ways. Its truth became impossible, and the new world was not built in the way it was conceived. Demanding millions of lives for its existence, a brighter future took the life of the writer’s son, who was arrested at the age of fifteen, and then Andrei Platonov himself. The story of the creation and death of the new world in seven days.

The film is about the long-term relationship between the director and the character of her first film, the French indie artist, musician and director Siegfried, known as Sig. The story is dedicated to the experience of growing up, emancipation and finding their own identity in life and in art. The film raises questions about the nature of the student-teacher relationship, which inevitably involves submission and conflict, and the nature of the director and hero relationship, which is based on love and a little manipulation.

This is the story of the poet Osip Mandelstam, recreated at the intersection of the arts and genres: puppet theater, design, computer graphics, documentary. The rebellious spirit of Mandelstam's poetry sounded a challenge to the authorities, and their author was destroyed by a state machine - he died in a transit camp. Much of what he wrote could not have been preserved had it not been for her husband Nadezhda, who taught his works by heart, copied manually-in anticipation of times when they could be published.

This is the story of the poet Osip Mandelstam, recreated at the intersection of the arts and genres: puppet theater, design, computer graphics, documentary. The rebellious spirit of Mandelstam's poetry sounded a challenge to the authorities, and their author was destroyed by a state machine - he died in a transit camp. Much of what he wrote could not have been preserved had it not been for her husband Nadezhda, who taught his works by heart, copied manually-in anticipation of times when they could be published.

This is the story of the poet Osip Mandelstam, recreated at the intersection of the arts and genres: puppet theater, design, computer graphics, documentary. The rebellious spirit of Mandelstam's poetry sounded a challenge to the authorities, and their author was destroyed by a state machine - he died in a transit camp. Much of what he wrote could not have been preserved had it not been for her husband Nadezhda, who taught his works by heart, copied manually-in anticipation of times when they could be published.

To ensure that the viewer guessed in the name of Ilfipetrov that Ilya Ilf and Yevgeny Petrov were separate, the authors collected an impressive evidence base: live testimonies were obtained in Moscow, Odessa, Yaroslavl, Paris, New York; in the exact repetition of the route of "One-storied America", in miraculously preserved family archives.

To ensure that the viewer guessed in the name of Ilfipetrov that Ilya Ilf and Yevgeny Petrov were separate, the authors collected an impressive evidence base: live testimonies were obtained in Moscow, Odessa, Yaroslavl, Paris, New York; in the exact repetition of the route of "One-storied America", in miraculously preserved family archives.

To ensure that the viewer guessed in the name of Ilfipetrov that Ilya Ilf and Yevgeny Petrov were separate, the authors collected an impressive evidence base: live testimonies were obtained in Moscow, Odessa, Yaroslavl, Paris, New York; in the exact repetition of the route of "One-storied America", in miraculously preserved family archives.

Everything that matters to Sergey Dovlatov, one way or another written by the writer Sergey Dovlatov. From fragments of works, letters, interviews, editorial columns, a story about a living person is compiled.

Everything that matters to Sergey Dovlatov, one way or another written by the writer Sergey Dovlatov. From fragments of works, letters, interviews, editorial columns, a story about a living person is compiled.

Everything that matters to Sergey Dovlatov, one way or another written by the writer Sergey Dovlatov. From fragments of works, letters, interviews, editorial columns, a story about a living person is compiled.

The turning point for Russia is 1991. Exiled from the country, writer, dissident and human rights activist Georgiy Vladimov found himself in a forced, joyless emigration in Niedernhausen. Later, Vladimov will begin writing a novel in three parts, "Long Way to Tipperary," which, according to the plan, would cover the period from August 1946 to August 1991. But he will have time to write only the first part, where he will again and again return to the almost unconscious childish act of one day in August 1946. On that blurry day in memory, cadet-Suvorov student Zhora Vladimov went to support the disgraced writer Mikhail Zoshchenko.

The turning point for Russia is 1991. Exiled from the country, writer, dissident and human rights activist Georgiy Vladimov found himself in a forced, joyless emigration in Niedernhausen. Later, Vladimov will begin writing a novel in three parts, "Long Way to Tipperary," which, according to the plan, would cover the period from August 1946 to August 1991. But he will have time to write only the first part, where he will again and again return to the almost unconscious childish act of one day in August 1946. On that blurry day in memory, cadet-Suvorov student Zhora Vladimov went to support the disgraced writer Mikhail Zoshchenko.

The film is based on an interview in New York in 1993 between critic Solomon Volkov and poet Joseph Brodsky. Behind the scenes, the poet answers the questions of the journalist. The conversation, in the end, covers almost the entire life of Brodsky. We are faced with the dramatic story of a man who categorically refuses to dramatize it. The story of a poet who gained in full, but lost immeasurably more.

The film is based on an interview in New York in 1993 between critic Solomon Volkov and poet Joseph Brodsky. Behind the scenes, the poet answers the questions of the journalist. The conversation, in the end, covers almost the entire life of Brodsky. We are faced with the dramatic story of a man who categorically refuses to dramatize it. The story of a poet who gained in full, but lost immeasurably more.

The film is based on an interview in New York in 1993 between critic Solomon Volkov and poet Joseph Brodsky. Behind the scenes, the poet answers the questions of the journalist. The conversation, in the end, covers almost the entire life of Brodsky. We are faced with the dramatic story of a man who categorically refuses to dramatize it. The story of a poet who gained in full, but lost immeasurably more.

Animated documentary film about the fate of the writer - Yuri Olesha. About how he was strangled by the grip of the era that fell to him, and in such an embrace he was forced to live not his life. Created on the basis of the writer's diaries, the film tells about the inner throwing of a talented man who died in literature thirty years before his physical death.

Animated documentary film about the fate of the writer - Yuri Olesha. About how he was strangled by the grip of the era that fell to him, and in such an embrace he was forced to live not his life. Created on the basis of the writer's diaries, the film tells about the inner throwing of a talented man who died in literature thirty years before his physical death.