Radu Mihăileanu
出生 : 1958-04-23, Bucarest, Romania
This film is a tribute to love, a tribute to cinema. Our two main characters take us with them into the intimacy of "real people". We cross the roads of France with them, in their different vans and pick-up trucks transformed for the occasion into mini movie studios. Their concept: to film "declarations of love" and to deliver them directly by van to their recipients. And we discover, as we go along, that our duo and their own personal adventures are subtly intertwined with the people they film. This mix of genres offers several universes to the spectator in order to make him question himself about love.
Self
Marco Ferreri: Dangerous But Necessary is a trip through the auteur's singular cosmos - at once supernatural and earthbound. He dropped out of his studies to become a veterinarian, choosing instead to concern himself principally with the human animal, in our corporeal and yearning essence.
Screenplay
The story of a long-lost book that mysteriously reappears and connects an old man searching for his son with a girl seeking a cure for her mother's loneliness.
Director
The story of a long-lost book that mysteriously reappears and connects an old man searching for his son with a girl seeking a cure for her mother's loneliness.
Scenario Writer
This movie takes us in the daily battle of 12 cartoonists around the world : France, Mexico, Israël, China, Russia, Ivory Coast...
Adaptation
A comedy/drama set in a village and centered on a battle of the sexes, where women threaten to withhold sexual favours as long as the men refuse to install a water pipe.
Screenplay
A comedy/drama set in a village and centered on a battle of the sexes, where women threaten to withhold sexual favours as long as the men refuse to install a water pipe.
Producer
A comedy/drama set in a village and centered on a battle of the sexes, where women threaten to withhold sexual favours as long as the men refuse to install a water pipe.
Director
A comedy/drama set in a village and centered on a battle of the sexes, where women threaten to withhold sexual favours as long as the men refuse to install a water pipe.
Producer
かつてボリショイ交響楽団の天才指揮者だったアンドレ(アレクセイ・グシュコフ)は、今はさえない劇場清掃員として働いていた。ある日、出演できなくなった楽団の代わりのオーケストラを探しているというFAXを目にした彼は、とんでもないことを思いつく。それは、いまや落ちぶれてしまったかつての仲間を集めて楽団を結成し、コンサートに出場するというものだった。
Screenplay
かつてボリショイ交響楽団の天才指揮者だったアンドレ(アレクセイ・グシュコフ)は、今はさえない劇場清掃員として働いていた。ある日、出演できなくなった楽団の代わりのオーケストラを探しているというFAXを目にした彼は、とんでもないことを思いつく。それは、いまや落ちぶれてしまったかつての仲間を集めて楽団を結成し、コンサートに出場するというものだった。
Adaptation
かつてボリショイ交響楽団の天才指揮者だったアンドレ(アレクセイ・グシュコフ)は、今はさえない劇場清掃員として働いていた。ある日、出演できなくなった楽団の代わりのオーケストラを探しているというFAXを目にした彼は、とんでもないことを思いつく。それは、いまや落ちぶれてしまったかつての仲間を集めて楽団を結成し、コンサートに出場するというものだった。
Dialogue
かつてボリショイ交響楽団の天才指揮者だったアンドレ(アレクセイ・グシュコフ)は、今はさえない劇場清掃員として働いていた。ある日、出演できなくなった楽団の代わりのオーケストラを探しているというFAXを目にした彼は、とんでもないことを思いつく。それは、いまや落ちぶれてしまったかつての仲間を集めて楽団を結成し、コンサートに出場するというものだった。
Director
かつてボリショイ交響楽団の天才指揮者だったアンドレ(アレクセイ・グシュコフ)は、今はさえない劇場清掃員として働いていた。ある日、出演できなくなった楽団の代わりのオーケストラを探しているというFAXを目にした彼は、とんでもないことを思いつく。それは、いまや落ちぶれてしまったかつての仲間を集めて楽団を結成し、コンサートに出場するというものだった。
Director
Producer
In 1980 the black Falashas in Ethiopia are recognised as genuine Jews and are secretly carried to Israel. The day before the transport the son of a Jewish mother dies. In his place and with his name (Schlomo) she takes a Christian 9-year-old boy.
Screenplay
In 1980 the black Falashas in Ethiopia are recognised as genuine Jews and are secretly carried to Israel. The day before the transport the son of a Jewish mother dies. In his place and with his name (Schlomo) she takes a Christian 9-year-old boy.
Director
In 1980 the black Falashas in Ethiopia are recognised as genuine Jews and are secretly carried to Israel. The day before the transport the son of a Jewish mother dies. In his place and with his name (Schlomo) she takes a Christian 9-year-old boy.
Scenario Writer
Carlo Ercole, a maestro of Italian cinema, asks his assistants to depart immediately for the Central African rainforest to find some Pygmies, "the incarnation of life", for the film he plans to shoot in Paris. Hardly cut out for such an adventure, Marc and Olivier are thrown into the maelstrom of a major African city. With the help of their beautiful guide, Désirée, they eventually make it into the equatorial rainforest, headed for a Pygmy Utopia.
Director
Carlo Ercole, a maestro of Italian cinema, asks his assistants to depart immediately for the Central African rainforest to find some Pygmies, "the incarnation of life", for the film he plans to shoot in Paris. Hardly cut out for such an adventure, Marc and Olivier are thrown into the maelstrom of a major African city. With the help of their beautiful guide, Désirée, they eventually make it into the equatorial rainforest, headed for a Pygmy Utopia.
Producer
In 1941, the inhabitants of a small Jewish village in Central Europe organize a fake deportation train so that they can escape the Nazis and flee to Palestine.
Screenplay
In 1941, the inhabitants of a small Jewish village in Central Europe organize a fake deportation train so that they can escape the Nazis and flee to Palestine.
Director
In 1941, the inhabitants of a small Jewish village in Central Europe organize a fake deportation train so that they can escape the Nazis and flee to Palestine.
Director
Screenplay
After the war, in Bucharest, a young Romanian poet arrested for having written an article denouncing Stalinist crimes, will save his life by accepting to become a hostage of the regime.
Director
After the war, in Bucharest, a young Romanian poet arrested for having written an article denouncing Stalinist crimes, will save his life by accepting to become a hostage of the regime.
Writer
At house of Agathon get together many intellectuals and philosophers, including Socrates, to discuss the theme of love and sex: each of them intervenes to support its argument dialogical rules, within the context symposial.
A young woman is accused of "Immorality" (aka prostitution) and she is sent for re-education to work on a construction site.