Martín Baus

参加作品

Al pasar: Cartas desde el trópico
Director of Photography
A film correspondence between a filmmaker, the ghost of an artist, and the city of Guayaquil.
Al pasar: Cartas desde el trópico
Producer
A film correspondence between a filmmaker, the ghost of an artist, and the city of Guayaquil.
Al pasar: Cartas desde el trópico
Sound
A film correspondence between a filmmaker, the ghost of an artist, and the city of Guayaquil.
Al pasar: Cartas desde el trópico
Writer
A film correspondence between a filmmaker, the ghost of an artist, and the city of Guayaquil.
Al pasar: Cartas desde el trópico
Director
A film correspondence between a filmmaker, the ghost of an artist, and the city of Guayaquil.
Quebrantahuesos
Director
open sky / open sea / open ground
Director
From a point of view-listening that is both animal and elemental, between the air, the ocean and the sand, relationships emerge between humans, birds and marine life.
Prelude (to the nap of the Faun and the Bacchante)
Director
“That I cut reeds defeated in the fight for talent; to the glaucous gold of the distant vegetables consecrating its vineyard to the fountains: An animal whiteness ripples in the siesta: and that, to the slow prelude of the celebration, swans flight, no! of naiads, dodge or dive ... "
Can Limbo
Director
A group of musicians seem isolated from the world playing beautiful pieces. But in the darkness of the night, and from their minds, there are melancholies on earth, loves and families that they left behind. Their silences, their letters, these elements shape the poetic intention of this documentary.
Can Limbo
Editor
A group of musicians seem isolated from the world playing beautiful pieces. But in the darkness of the night, and from their minds, there are melancholies on earth, loves and families that they left behind. Their silences, their letters, these elements shape the poetic intention of this documentary.
Can Limbo
Producer
A group of musicians seem isolated from the world playing beautiful pieces. But in the darkness of the night, and from their minds, there are melancholies on earth, loves and families that they left behind. Their silences, their letters, these elements shape the poetic intention of this documentary.
Can Limbo
Director of Photography
A group of musicians seem isolated from the world playing beautiful pieces. But in the darkness of the night, and from their minds, there are melancholies on earth, loves and families that they left behind. Their silences, their letters, these elements shape the poetic intention of this documentary.
Can Limbo
Writer
A group of musicians seem isolated from the world playing beautiful pieces. But in the darkness of the night, and from their minds, there are melancholies on earth, loves and families that they left behind. Their silences, their letters, these elements shape the poetic intention of this documentary.
Can Limbo
Director
A group of musicians seem isolated from the world playing beautiful pieces. But in the darkness of the night, and from their minds, there are melancholies on earth, loves and families that they left behind. Their silences, their letters, these elements shape the poetic intention of this documentary.
Nerve
Director
Enter through that gap between frame and frame, between image and sound, direct to the nerve. Leave the eyepiece behind to immerse yourself in the acoustic.
The Yellow Line
Screenplay
A young introvert man that has just go out his parents home is working in a café every day, where he carries out the eccentric practice of recording the conversations of certain clients. This voyeuristic attitude will be broken by the appearance of a curious and charismatic woman who lives a floor below his apartment.
The Yellow Line
Director
A young introvert man that has just go out his parents home is working in a café every day, where he carries out the eccentric practice of recording the conversations of certain clients. This voyeuristic attitude will be broken by the appearance of a curious and charismatic woman who lives a floor below his apartment.